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David Acton
Gottfried Boehm
Paloma Alarcó
Jane Addams Allen
Lawrence Alloway
Jean-Christophe Ammann
David Anfam
Dore Ashton
Matthew Baigell
Kelly Baum
Susan Behrends Frank
Bill Berkson
Mary Birmingham
Frans Boenders
Ellen Breitman
Michael Brenson
Vincent J. Bruno
Markus Brüderlin
Ashley Busby
John Caldwell
Sandra Caltagirone
Giovanni Carandente
James Cassell
Robert M. Coates
Eduardo Prado Coelho
Anne Cohen DePietro
Oscar Collier
Bradford R. Collins
Michael Compton
Rosalind Constable
Thomas Crow
Susan Davidson
Jessica Barrow Dawson
Cordélia De Brosses
Eric de Chassey
Rolf-Gunter Dienst
Esther Dotan
Morgan Falconer
Susan C. Faxon
Briony Fer
Oreste Ferrári
Ruth Fine
Benjamin Forgey
Melinda Young Frye
Lynn Gamwell
Hubertus Gassner
Grace Glueck
Donald Goddard
Roberta Graff
H.T.H.
Andreas Hapkemeyer
Charles Harrison
Azusa Hashimoto
Miriam Häßler
Sumi Hayashi
Thomas B. Hess
Alissa J. Hirshfeld
Robert Carlton Hobbs
Robert Hughes
Sam Hunter
J. A. S. Ingamells
Ahuva Israel
Nancy Jachec
Edward Alden Jewell
Franz-W. Kaiser
Judith Kaye Reed
Thomas Kellein
Emily A. Kerrigan
Pamela Kessler
Roger Kimball
George Kinghorn
Karin Koschkar
Ingrid Koszinowski
Hilton Kramer
Gwendolin Kremer
Donald Kuspit
Janet Kutner
Christiane Lange
Kay Larson
James Lawrence
Helmut Leder
Michael Leonard
Jo Ann Lewis
Jeremy Lewison
Steven Henry Madoff
Bernard Malamud
Carol Mancusi-Ungaro
Mary McCoy
Suzanne Folds McCullagh
Lisa Mintz Messinger
Donald Miller
Amanda Millet-Sorsa
Jane M. Murphy
Eleanor Nairne
Mario Naves
Sheldon Nodelman
Mordechai Omer
Ida Panicelli
Benjamin Paul
Prudence Peiffer
Meira Perry-Lehmann
Francesca Pola
Claudia Puizza
Eliza E. Rathbone
Paul Richard
Maude Riley
Emma E. Roberts
Joan Root
Barbara Rose
Robert Rosenblum
Mark Rosenthal
Christopher Rothko
Marilyn Miller Russell
Irving Sandler
Joseph J. Schildkraut
Paul Schimmel
Katharina Christa Schüppel
Martha Schwendener
Jasper Sharp
Joanna Shaw-Eagle
Roberta Smith
Philippe Sollers
Edward J. Sozanski
Timothy Standring
Jens Stenger
Elisabeth Stevens
Jessica Stewart
Kalus Stichweh
James Sullivan
Christine Temin
Claudia Terenzi
Judith Trepp
Tommaso Trini
Maurice Tuchman
Judd Tully
Riccardo Venturi
Cesare Vivaldi
Judith Walsh
Molly Warnock
Liz M. Weiman
Jeffrey Weiss
Stefan Weppelmann
Murray Whyte
Oliver Wick
Annie Wilker
Karen Wilkin
Ben Wolf
Clair Zamoiski
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201 References

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Acton, David. Rothko entry. In The Stamp of Impulse: Abstract Expressionist Prints, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001: 50.

Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In Monet et l’abstraction / Monet and Abstraction, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010: 8-87.

Alarcó, Paloma. “Monet and Abstraction.” In Monet y la abstracción, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010: 317–328.

Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.” Washington Times, May 4, 1984.

Alloway, Lawrence. “The Biomorphic Forties.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986: 33–36.

“American Art at Mid-Century. Master drawings and watercolors.” Washington Post Magazine, May 21, 1978: SM36–46 .

Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 9–14.

Anfam, David. “A World Elsewhere,” in Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008: 10–23.

Anfam, David. "An Unending Equation." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 14–49.

Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 6–15.

Anfam, David. "New York: The American Century: Part One." Burlington Magazine 141, no. 1160 (November 1999): 707–709.

Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In Mark Rothko: "Multiforms," Bilder von 1947–1949. Galerie Daniel Blau, Munich, Germany, 1993: 25–31.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Anfam, David. “Walls of the Mind.” In Mark Rothko and William Scott: Continuing the Dialogue by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023: 11–17.

Ashton, Dore. "New York Commentary: De Kooning's Verve.” Studio International 163, no. 830 (June 1962): 216–217, 224–225.

Baigell, Matthew. “Mark Rothko.” In American Artists, Jewish Images, by Matthew Baigell. Syracuse, NY, 2006: 63–77.

Baigell, Matthew. “The Abstract Expressionists.” In Jewish Artists in New York: The Holocaust Years by Matthew Baigell. New Brunswick, NJ, 2002: 98–151.

Baum, Kelly. “Mark, Maker, Method.” In Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014: 10–28.

Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.” Artforum 25, no. 2 (October 1986).

Birmingham, Mary. Rothko entry. In Montclair Art Museum: Selected Works, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002: 143.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–185.

Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.” Kunst & Cultuur [Palais des Beaux-arts] 32, no. 1 (January 1999): 4–6.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985.

Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Busby, Ashley. “The Power of Paper.” Art & Antiques 47, no. 1 (January/February 2024): 76–85.

Caldwell, John. Rothko entry. In American Drawings and Watercolors in the Museum of Art, Carnegie Institute, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985.

Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.” Art & Culture [Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999): 4–5.

Carandente, Giovanni. “Mark Rothko's Three Italian Journeys.” In Mark Rothko, edited by Oliver Wick. Palazzo delle Esposizioni, Rome, 2007: 33–39.

Cassell, James. “Rothko’s Subtler Shades.” USA Today, May 7, 1984.

Coates, Robert M. "The Art Galleries: In the Museums." New Yorker, January 28, 1961: 78–81.

Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 77–90.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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