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Author/editor
David Acton
Gottfried Boehm
Paloma Alarcó
Jane Addams Allen
Lawrence Alloway
Jean-Christophe Ammann
David Anfam
Daniel Arasse
Dore Ashton
Matthew Baigell
Kelly Baum
Susan Behrends Frank
Bill Berkson
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Frans Boenders
Jessica Boissel
Giulio Bolaffi
Ellen Breitman
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Vincent J. Bruno
Markus Brüderlin
Ashley Busby
John Caldwell
Sandra Caltagirone
Giovanni Carandente
E.A. Carmean, Jr.
Malcolm N. Carter
James Cassell
Barbara Cavaliere
Gundega Cēbere
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Robert M. Coates
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Oscar Collier
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Rosalind Constable
Thomas Crow
Alan Cutler
Susan Davidson
Jessica Barrow Dawson
Cordélia De Brosses
Eric de Chassey
Elaine de Kooning
John K. Delaney
Marc Devade
Rolf-Gunter Dienst
Kathryn A. Dooley
Erika Doss
Esther Dotan
Jean-Pierre Duquette
Robin Duthy
Robert Elkon
Michelle Facini
Morgan Falconer
Susan C. Faxon
Briony Fer
André Fermigier
Oreste Ferrári
Ruth Fine
Benjamin Forgey
Melinda Young Frye
Teruo Fujieda
Lynn Gamwell
Hubertus Gassner
Jo Gibbs
Ann Gibson
Grace Glueck
Donald Goddard
Itzhak Goldberg
Roberta Graff
Alex Greenberger
H.T.H.
Andreas Hapkemeyer
Charles Harrison
Azusa Hashimoto
Miriam Häßler
Sumi Hayashi
Thomas B. Hess
Alissa J. Hirshfeld
Robert Carlton Hobbs
Robert Hughes
Sam Hunter
J. A. S. Ingamells
Ahuva Israel
Nancy Jachec
Edward Alden Jewell
Franz-W. Kaiser
Judith Kaye Reed
Thomas Kellein
Emily A. Kerrigan
Pamela Kessler
Roger Kimball
George Kinghorn
Karin Koschkar
Ingrid Koszinowski
Hilton Kramer
Gwendolin Kremer
Jan Krugier
Donald Kuspit
Janet Kutner
Christiane Lange
Kay Larson
James Lawrence
Helmut Leder
Michael Leonard
Jo Ann Lewis
Jeremy Lewison
Claude Lorent
Steven Henry Madoff
Christopher Maines
Bernard Malamud
Carol Mancusi-Ungaro
Stephen May
Mary McCoy
Suzanne Folds McCullagh
Lisa Mintz Messinger
Donald Miller
Amanda Millet-Sorsa
Kathryn Morales
Jane M. Murphy
Eleanor Nairne
Mario Naves
Sheldon Nodelman
Georgine Oeri
Mordechai Omer
Ida Panicelli
Andrea Pappas
Benjamin Paul
Prudence Peiffer
Stella Pelše
Meira Perry-Lehmann
Francesca Pola
Stephen Polcari
Claudia Puizza
Craig Raine
Eliza E. Rathbone
Paul Richard
Maude Riley
Emma E. Roberts
Bryan Robertson
Joan Root
Barbara Rose
Robert Rosenblum
Mark Rosenthal
Nan Rosenthal
Christopher Rothko
Pierre Rouve
Marilyn Miller Russell
Irving Sandler
Joseph J. Schildkraut
Paul Schimmel
Peter Schjeldahl
Katharina Christa Schüppel
Jane Schwartz
Martha Schwendener
William C. Seitz
Peter Selz
Jasper Sharp
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Hidekai Shimamoto
Roberta Smith
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Theodore E. Stebbins, Jr.
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Ruth Stephan
Elisabeth Stevens
Jessica Stewart
Kalus Stichweh
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Elizabeth Till
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Tommaso Trini
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Judd Tully
Elisa Turner
Riccardo Venturi
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Molly Warnock
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265 References
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"Abstract Expressionists."
Museum News
[Toledo Museum of Art] 19, no. 4 (1977)
.
"Acquisitions of Drawings at The Museum of Modern Art, 1985-1991."
Burlington Magazine
134, no. 1072 (July 1992)
: 473–478
.
Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In
Monet et l’abstraction / Monet and Abstraction
, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010
: 8-87
.
Alarcó, Paloma. “Monet and Abstraction.” In
Monet y la abstracción
, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010
: 317–328
.
Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.”
Washington Times,
May 4, 1984
.
Alloway, Lawrence. "Notes on Rothko."
Art International
6, no. 5-6 (Summer 1962)
: 90–94
.
Alloway, Lawrence. "The Biomorphic Forties."
Artforum
4 (September 1965)
.
Alloway, Lawrence. “The Biomorphic Forties.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938–1948
, by Paul Schimmel, Lawrence Alloway, Dore Ashton, et al. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 33–36
.
“American Art at Mid-Century. Master drawings and watercolors.”
Washington Post Magazine
, May 21, 1978
: SM36–46
.
"American Prints: 1890-1955 at Pace."
The Print Collector's Newsletter
14, no. 3 (July-August 1983)
: 101
.
Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In
A Selection from the Daros Collection
, edited by Walter Soppelsa. Zurich, Switzerland, 2012
: 9–14
.
Anfam, David. “A World Elsewhere,” in
Abstract Expressionism — A World Elsewhere
. Haunch of Venison, New York, 2008
: 10–23
.
Anfam, David. "An Unending Equation." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 14–49
.
Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In
Mark Rothko: The Chapel Commission
, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996
: 6–15
.
Anfam, David. “El arte de Mark Rothko: simplificando el pensamiento complejo.”
Kalias
10, no. 19–20 (1998)
: 106–122
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Anfam, David. "New York: The American Century: Part One."
Burlington Magazine
141, no. 1160 (November 1999)
: 707–709
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “Rothko's Multiforms: The Moment of Transition and Transformation.” In
Mark
Rothko: "Multiforms," Bilder von 1947–1949.
Galerie Daniel Blau, Munich, Germany, 1993
: 25–31
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Anfam, David. “Walls of the Mind.” In
Mark Rothko and William Scott: Continuing the Dialogue
by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023
: 11–17
.
Arasse, Daniel. "La solitude de Rothko."
Art Press
241 (December 1998)
: 27–35
.
Artforum
18 (September 1979)
: 81–119
.
Ashton, Dore. "New York Commentary: De Kooning's Verve.”
Studio International
163, no. 830 (June 1962)
: 216–217, 224–225
.
Ashton, Dore. “Rothko, obra en papel.”
Arte y parte
, no. 29 (October–November 2000)
: 31–39
.
Ashton, Dore. “Rothko’s Passion.”
Art International
22 (February 1979)
: 6–13
.
Baigell, Matthew. “Mark Rothko.” In
American Artists, Jewish Images
, by Matthew Baigell. Syracuse, NY, 2006
: 63–77
.
Baigell, Matthew. “The Abstract Expressionists.” In
Jewish Artists in New York: The Holocaust Years
by Matthew Baigell. New Brunswick, NJ, 2002
: 98–151
.
Baum, Kelly. “Mark, Maker, Method.” In
Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell
, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014
: 10–28
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
"Between the Lines: Mark Rothko, from
The Artist’s Reality
."
Bookforum
(October/November 2004)
.
Birmingham, Mary. Rothko entry. In
Montclair Art Museum: Selected Works
, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002
: 143
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–185
.
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