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Prehistoric Memory
Date
1945/1946
Medium
Watercolor
,
scrubbing
,
scraping
Support
Watercolor paper
Dimensions
25 3/4 x 19 3/8 in. (65.4 x 49.2 cm)
Inscription
Lower left in yellow paint: MARK ROTHKO
Collection
Private Collection, New York. © Kate Rothko Prizel and Christopher Rothko
See the Complete Guide
Provenance
Betty Parsons Gallery, New York, 1946
Douglas MacAgy, San Francisco, 1946
Betty Parsons Gallery, New York, 1968–1972
Steingrim Laursen, Copenhagen, 1972-2000
Private Collection, New York, 2000
Exhibitions
Mark Rothko: Exhibition of Watercolors
, Mortimer Brandt Gallery, New York, April 22 – May 4, 1946.
Oils and Watercolors by Mark Rothko
, San Francisco Museum of Art, August 13 – September 8, 1946, as
Prehistoric Memory
.
Oils and Watercolors by Mark Rothko
, Santa Barbara Museum of Art, October 1 – 15, 1946, as
Prehistoric Memory
.
Betty Parsons' Private Collection
, Finch College Museum of Art, March 13 – April 24, 1968, no. 141, as
Prehistoric Memory
.
Betty Parsons' Private Collection
, Cranbrook Academy of Art Museum, September 22 – October 20, 1968.
Betty Parsons' Private Collection
, Brooks Memorial Art Gallery, November 1 – December 1, 1968.
Twentieth-Century American Drawing: Three Avant-Garde Generations
, Solomon R. Guggenheim Museum, January 23 – March 28, 1976, cat. 120, as
Prehistoric Memory
.
Amerikanische Zeichner des 20. Jahrhunderts: Drei Generationen von der Armory Show bis heute
, Staatliche Kunsthalle Baden-Baden, May 27 – July 11, 1976, cat. 103, as
Vorgeschichtliche Erinnerung
.
Twentieth-Century American Drawing: Three Avant-Garde Generations
, Kunsthalle Bremen, July 18 – August 29, 1976, cat. 103, as
Vorgeschichtliche Erinnerung
.
Mark Rothko, 1903–1970: A Retrospective
, Solomon R. Guggenheim Museum, October 27, 1978 – January 14, 1979, cat. 60, as
Prehistoric Memory
.
Mark Rothko, 1903–1970: A Retrospective
, The Museum of Fine Arts, Houston, February 10 – April 1, 1979, cat. 60, as
Prehistoric Memory
.
Mark Rothko, 1903–1970: A Retrospective
, Walker Art Center, April 22 – June 10, 1979, cat. 60, as
Prehistoric Memory
.
Mark Rothko, 1903–1970: A Retrospective
, Los Angeles County Museum of Art, July 10 – September 23, 1979.
Un Art autre, un autre art: Les années 50
, Artcurial, Centre d'art plastique contemporain, April – July, 1984, no. 116, as
Souvenirs Préhistoriques
.
La planète affolée: Surréalisme, dispersion et influences, 1938–1947
, Centre de la Vieille Charité, Musées de Marseille, April 12 – June 30, 1986, no. 280, as
Prehistoric Memory
.
El surrealismo entre viejo y nuevo mundo
, Centro atlántico de arte moderno, December 4, 1989 – February 4, 1990, as
Memoria prehistórica
.
Quelque chose de très mystérieux: Intuitions esthétiques de Michel Tapié
, Artcurial, Centre d'art plastique contemporain, March 24 – May 12, 1994.
Mark Rothko: Paintings on Paper
, National Gallery of Art, November 19, 2023 – March 31, 2024, as
Prehistoric Memory
.
References
Constable, Rosalind. "The Betty Parsons Collection."
Art News
67 (March 1968): 59.
Goossen, Elayne C., and Elayne H. Varian.
Betty Parsons’ Private Collection
. Finch College, New York, 1968: n.p..
Solomon R. Guggenheim Museum.
Twentieth-Century American Drawing: Three Avant-Garde Generations
. New York, 1976: 77.
Staatliche Kunsthalle Baden-Baden.
Amerikanische Zeichner des 20. Jahrhunderts – Drei Generationen von der Armory Show bis heute
. Baden-Baden, Germany, 1976: 27, n.p. (b/w).
Zamoiski, Clair. “Chronology.” In
Mark Rothko, 1903–1970: A Retrospective
, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978: 271.
Waldman, Diane.
Mark Rothko, 1903–1970: A Retrospective
. Solomon R. Guggenheim Museum, New York, 1978: 271, cat. 60 (b/w).
Lucie-Smith, Edward, Sam Hunter, Adolf Max Vogt, Giulio Carlo Argan.
Kunst der Gegenwart: Propyläen Kunstgeschichte: Supplementband II
. Frankfurt am Main, Germany, 1978: 177, fig. 150b (b/w).
Carter, Malcolm N. "Art, Money, and the Troubles of Mark Rothko."
Horizon
21 (October 1978): 27 (color).
Polcari, Stephen. "Mark Rothko,"
Arts Magazine
53, no. 5 (January 1979): 3 (color).
The Saturday Review
. "Swamped with Rothko." January 6, 1979: n.p., (b/w).
Cavaliere, Barbara. "Notes on Rothko."
Flash Art
86/87 (January – February 1979): 34 (b/w).
Fujieda, Teruo. “Special Feature: Mark Rothko.”
Mizue
888 (March 1979): 17 (color).
Polcari, Stephen. "The Intellectual Roots of Abstract Expressionism: Mark Rothko."
Arts Magazine
54, no. 1 (September 1979): 128, fig. 10 (b/w).
Abadie, Daniel.
Un Art Autre, Un Autre Art
. Centre d’Art Plastique Contemporain, Paris, 1984: 70.
Musées de Marseill.
La planète affolée: Surréalisme Dispersion et Influences, 1938–1947
. Marseille, France, 1986: n.p., 123 (b/w).
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.”
Smithsonian Studies in American Art
2, no. 2 (Spring 1988): 42-43.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989: 151-152, fig. 36 (b/w).
Centro atlántico de arte moderno.
El surrealismo entre Viejo y Nuevo Mundo
. Las Palmas de Gran Canaria, Spain, 1989: 302, 247 (color).
Polcari, Stephen.
Abstract Expressionism and the Modern Experience
. New York, 1991: 124.
Louisiana Museum of Modern Art.
Louisiana: Samling og bygninger The collection and the Buildings
. Humlebaek, Denmark, 1992: 365, cat. 1161 (color).
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000: 29.
Wick, Oliver, et al.
Mark Rothko
.
Fundació Joan Miró, Barcelona, Spain, 2000: 29.
Weiss, Jeffrey. “Underworld.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 41.
Wick, Oliver, et al.
Mark Rothko
.
Fondation Beyeler, Basel, Switzerland, 2001: 41.
Greenhalgh, Adam.
Mark Rothko: Paintings on Paper
. National Gallery of Art, Washington, 2023: 22-23, 182, 189n48, plate 30 (color).
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