[Untitled]
![[Untitled]](https://rothko.nga.gov/media/collectiveaccess/images/3/7/96503_ca_object_representations_media_3711_large.jpg)
Date
Medium
Support
Dimensions
40 3/4 x 27 1/4 in. (103.5 x 69.2 cm)
Inscription
Verso in black crayon: MARK ROTHKO
Estate/Inventory Number
1013.44
Collection
Collection of Christopher Rothko. © Kate Rothko Prizel and Christopher Rothko
Exhibitions
The Interpretive Link: Abstract Surrealism into Abstract Expressionism: Works on Paper, 1938–1948, Newport Harbor Art Museum, July 16 – September 14, 1986, cat. 124, as Untitled.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism: Works on Paper, 1938–1948, Whitney Museum of American Art, November 13, 1986 – January 21, 1987, cat. 124, as Untitled.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism: Works on Paper, 1938–1948, Walker Art Center, February 21 – April 19, 1987, cat. 124, as Untitled.
Mark Rothko, Fundació Joan Miró, November 23, 2000 – January 28, 2001, as Sense títol.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 73, as Untitled.
Mark Rothko: Works on Paper, 1930–1969, Galerie Beyeler, Basel, June 7 – August 20, 2005, cat. 28, as Untitled.
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 40, as Untitled.
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 39, as Ohne Titel / Untitled.
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 39, as Ohne Titel / Untitled.
Mark Rothko: The Watercolors, 1941–1947, Pace Gallery, New York, May 2 – June 20, 2014, as Untitled.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism: Works on Paper, 1938–1948, Whitney Museum of American Art, November 13, 1986 – January 21, 1987, cat. 124, as Untitled.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism: Works on Paper, 1938–1948, Walker Art Center, February 21 – April 19, 1987, cat. 124, as Untitled.
Mark Rothko, Fundació Joan Miró, November 23, 2000 – January 28, 2001, as Sense títol.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 73, as Untitled.
Mark Rothko: Works on Paper, 1930–1969, Galerie Beyeler, Basel, June 7 – August 20, 2005, cat. 28, as Untitled.
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 40, as Untitled.
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 39, as Ohne Titel / Untitled.
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 39, as Ohne Titel / Untitled.
Mark Rothko: The Watercolors, 1941–1947, Pace Gallery, New York, May 2 – June 20, 2014, as Untitled.
References
Rosenblum, Robert. Mark Rothko: Notes on Rothko’s Surrealist Years. Pace Gallery, New York, 1981: 38.
Schimmel, Paul, and Lawrence Alloway. The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948. Newport Harbor Art Museum, Newport Beach, CA, 1986: 196, cat. 124 (b/w).
Wick, Oliver, et al. Mark Rothko. Fundació Joan Miró, Barcelona, Spain, 2000: 163, 72 (color).
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 175, cat. 73 (color).
Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005: 17, 25, 69, cat. 28 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 15, cat. 40 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 15, 199, cat. 40 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 101.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, cat. 39 (color).
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 168–169, 174, cat. 39 (color).
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 181, cat. 39 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, 168–169, 174, 181, 212, cat. 39 (color).
Lawrence, James. Mark Rothko: Works on Paper, 1941–1947. Pace Gallery, New York, 2014: 7, 86, 39 (color).
Glimcher, Arne. Mark Rothko: The Exhibitions at Pace. Pace Gallery, New York, 2019: 272, plate 16 (color).
Lawrence, James. “The Watercolors 1941–1947.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 32, plate 16 (color).
Schimmel, Paul, and Lawrence Alloway. The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948. Newport Harbor Art Museum, Newport Beach, CA, 1986: 196, cat. 124 (b/w).
Wick, Oliver, et al. Mark Rothko. Fundació Joan Miró, Barcelona, Spain, 2000: 163, 72 (color).
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 175, cat. 73 (color).
Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005: 17, 25, 69, cat. 28 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 15, cat. 40 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 15, 199, cat. 40 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 101.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, cat. 39 (color).
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 168–169, 174, cat. 39 (color).
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 181, cat. 39 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, 168–169, 174, 181, 212, cat. 39 (color).
Lawrence, James. Mark Rothko: Works on Paper, 1941–1947. Pace Gallery, New York, 2014: 7, 86, 39 (color).
Glimcher, Arne. Mark Rothko: The Exhibitions at Pace. Pace Gallery, New York, 2019: 272, plate 16 (color).
Lawrence, James. “The Watercolors 1941–1947.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 32, plate 16 (color).
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