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Adam Greenhalgh
Alison de Lima Greene
Amy N. Worthen
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Karen Wilkin
Klaus Kertess
Klaus Ottmann
Lawrence Alloway
Lisa Mintz Messinger
Lisa Vihos
Marc Glimcher
Mark Rothko
Marla Price
Mary E. Schneider
The Metropolitan Museum of Art
Morton Feldman
Nancy Hall-Duncan
Paul Schimmel
Peter Selz
Robert Carlton Hobbs
Robert Rosenblum
Russell T. Scott
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103 References
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Place names: united states
60 Works: The Peggy Guggenheim Collection
. The Solomon R. Guggenheim Museum, New York, 1982
.
Adams, Henry, ed.
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
. Carnegie Institute, Pittsburgh, PA, 1985
.
Amherst College, Mead Art Building.
Color Painting: A Special Loan Exhibition
. Amherst, MA, 1972
.
Anfam, David and Carol Mancusi-Ungaro.
Mark Rothko: The Chapel Commission
. The Menil Collection, Houston, TX, 1996
.
Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Bannard, Walter Darby.
Paintings of the 50s: Another Look
. Duke University Museum of Art, Durham, NC, 1983
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. [New York, 1986]
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Breslin, James E. B.
Mark Rothko: A Biography.
Chicago, IL, 1993
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
Brooklyn Museum.
The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists
. New York, 1935
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Byrnes, James B., ed.
Mark Rothko: Ten Major Works
. Newport Harbor Art Museum, Newport Beach, CA, 1974
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Carmean, E. A., Jr., ed.
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
. Knoedler & Company, New York, 2002
.
Carmean, E. A., Jr., Eliza E. Rathbone, and Thomas Hess.
American Art at Mid-Century: The Subjects of the Artist
. National Gallery of Art, Washington, 1978
.
Carmean, E. A., Jr., Marla Price, and James L. Fisher.
Selected Works from the American Collection: 1940 to the Present
. Modern Art Museum of Fort Worth, Fort Worth, TX, 1988
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989
.
Chave, Anna.
Mark Rothko: Subjects
. High Museum of Art, Atlanta, GA, 1983
.
Clearwater, Bonnie.
Mark Rothko: Works on Paper
.
American Federation of Arts, New York, 1984
.
Collins, Bradford R., ed.
Mark Rothko: The Decisive Decade, 1940–1950
. Columbia Museum of Art, Columbia, SC, 2012
.
Coven, Jeffrey.
Baudelaire's Voyages: The Poet and His Painters
. The Heckscher Museum, Huntington, NY, 1993
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Darling, Janina K.
Margaret Rinkovsky: The “Odyssey Landscapes” Reconsidered
. Art Museum of Santa Cruz County, Santa Cruz, CA, 1995
.
Dervaux, Isabelle, and Joseph Solman.
The Ten: Birth of the American Avant-Garde
. Mercury Gallery, Boston, 1998
.
Evarts, Jeremiah.
A Passion for Collecting: Modern Works from the Pérez Simón Collection
. Di Donna Galleries, New York, NY, 2018
.
Feldman, Morton.
Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko
. University of St. Thomas Art Department, Houston, TX, 1967
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Geldzahler, Henry.
New York Painting and Sculpture: 1940–1970
. Metropolitan Museum of Art, New York, 1969
.
Glimcher, Arne.
Mark Rothko: The Exhibitions at Pace
. Pace Gallery, New York, 2019
.
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