Toggle navigation
Guide to Entries
Advanced Search
Search
Catalog
Artist
Essays
Advanced Search
Guide to Entries
Search
Works
Provenance
Exhibitions
References
Filter by
decade
1930s
1970s
1980s
1990s
2000s
2010s
Apply
location
Loading...
author/editor
Anne Cohen DePietro
Annie Wilker
Azusa Hashimoto
Benjamin Paul
Briony Fer
Carol Mancusi-Ungaro
Charles Harrison
Christoph Wiedemann
Christopher Rothko
Clair Zamoiski
David Acton
David Anfam
Eileen Garred
Eliza E. Rathbone
Ellen Breitman
Emily A. Kerrigan
Francesca Pola
Franz-W. Kaiser
Gabriele Hoffmann
Gottfried Boehm
Harald Raab
Hubertus Gassner
James Lawrence
Jasper Sharp
Jean-Jacques Leveque
Jeffrey Weiss
Jens Stenger
Jessica Stewart
John Caldwell
Judith Walsh
Katharina Christa Schüppel
Lisa Mintz Messinger
Meira Perry-Lehmann
Michael Compton
Mordechai Omer
Niklas Maak
Oliver Wick
Paul Schimmel
Robert Rosenblum
Ruth Fine
Sam Hunter
Stefan Weppelmann
Sumi Hayashi
Susan Davidson
Thomas Crow
Thomas Kellein
Vincent J. Bruno
Apply
71 References
Sort by:
Name
name
date
ascending
descending
Essay/catalog entry
Newspaper article
Clear All
Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Garred, Eileen. "Selection of Rothko Works Given to Fogg."
Harvard Gazette
, April 26, 1985
: 1, 6
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
H.V.D. “Art in Review.”
New York Times,
November 25, 1933
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Hashimoto, Azusa. Rothko entry. In
The 30th Anniversary: Collection of the National Museum of Art
, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
Hoffmann, Gabriele. “Der umschlossene Raum, nur mir gehörig: In der Münchner Hypo-Kunsthalle ist in einer großen Werkschau Mark Rothkos künstlerische Entwicklung nachgezeichnet.”
Stuttgarter Zeitung
, February 21, 2008
: 29
.
Hoffmann, Gabriele. “Zwei Weiss, zwei Rot: Mark-Rothko-Retrospektive in der Kunsthalle der Hypo-Kulturstiftung München.”
Neueste Nachrichten
, April 17, 2008
.
Hunter, Sam. “Surrealism in Transition: Paris and New York.” In
The Surrealist Vision: Europe and the Americas
, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998
: 35–60
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Kerrigan, Emily A. Rothko entry. In
New Forms: The Avant-Garde Meets the American Scene, 1934-1949
, edited by Kathleen A. Edwards. The University of Iowa Museum of Art, Iowa, IA, 2013
: 45
.
Lawrence, James. “The Watercolors 1941–1947.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 28–37
.
Leveque, Jean-Jacques. "Mark Rothko au Musée d'art moderne: Espace illimité."
Nouvelles Litteraires
, April 3, 1972
.
“Lively Doings in Art Circles.”
New York Sun,
December 1, 1933
.
M. Messinger, Lisa. Rothko entry. In
Recent Acquisitions: A Selection, 1985-1986
, by The Metropolitan Museum of Art. New York, 1986
.
Maak, Niklas. “Der amerikanische Raum.”
Frankfurter Allgemeine
, February 7, 2008
: 33
.
Mancusi-Ungaro, Carol. “Nuances of Surface in the Rothko Chapel Paintings.” In
Mark Rothko: The Chapel Commission
, by David Anfam and Carol Mancusi-Ungaro. Menil Collection, Houston, TX, 1996
.
Next 36
Top