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Anne Cohen DePietro
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93 References
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Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.”
Washington Times,
May 4, 1984
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Brenson, Michael. “Rothko at the Guggenheim.”
New York Times
, June 7, 1985
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Cassell, James. “Rothko’s Subtler Shades.”
USA Today,
May 7, 1984
.
Coates, Robert M. "The Art Galleries: In the Museums."
New Yorker
, January 28, 1961
: 78–81
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Constable, Rosalind. "The Betty Parsons Collection."
Art News
67 (March 1968)
: 48–49, 58–60
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Dawson, Jessica Barrow. “Into the Black.”
Washington City Paper,
June 12, 1998
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.”
Museum News
62, no. 5 (June 1984)
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
Glueck, Grace. “Matchmaking: Old Masters Meet Their Modern Soul Mates.”
New York Times
, May 25, 2007
.
Graff, Roberta. “Museum Beat.”
South Shore Record,
May 9, 1985
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Hashimoto, Azusa. Rothko entry. In
The 30th Anniversary: Collection of the National Museum of Art
, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
Hunter, Sam. “Surrealism in Transition: Paris and New York.” In
The Surrealist Vision: Europe and the Americas
, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998
: 35–60
.
Jewell, Edward Alden. "Art: Hither and Yon."
New York Times
, April 28, 1946
: 6
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
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