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105 References
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Essay/catalog entry
Journal/magazine article
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"Acquisitions of Drawings at The Museum of Modern Art, 1985-1991."
Burlington Magazine
134, no. 1072 (July 1992)
: 473–478
.
Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Alloway, Lawrence. "Notes on Rothko."
Art International
6, no. 5-6 (Summer 1962)
: 90–94
.
"American Prints: 1890-1955 at Pace."
The Print Collector's Newsletter
14, no. 3 (July-August 1983)
: 101
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Ashton, Dore. “Rothko, obra en papel.”
Arte y parte
, no. 29 (October–November 2000)
: 31–39
.
Ashton, Dore. “Rothko’s Passion.”
Art International
22 (February 1979)
: 6–13
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.”
Kunst & Cultuur
[Palais des Beaux-arts] 32, no. 1 (January 1999)
: 4–6
.
Boissel, Jessica. “Technique de Rothko.”
Art Press International
27 (April 1979)
: 7
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 4–5
.
Carmean, E. A., Jr. “Summers of Inspiration.”
Art & Antiques
(June 2002)
: 70–75
.
Carter, Malcolm N. "Art, Money, and the Troubles of Mark Rothko."
Horizon
21 (October 1978)
: 20–29
.
Cavaliere, Barbara. "Notes on Rothko."
Flash Art
86/87 (January – February 1979)
: 32–38
.
Cēbere, Gundega. “Svētki ar atgriešanos.”
Māksla Plus
5
(October/November 2003)
: 10–11
.
Chan, Mary. "New York School."
MoMA
, 1, no. 7 (November/December, 1998)
: 12–15
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Doss, Erika. "Makes Me Laugh, Makes Me Cry: Feelings and American Art."
American Art
25, no. 3 (Fall 2011)
: 2–8
.
Duthy, Robin. “Investor’s File: The Fortunes of Rothko.”
Connoisseur
215, no. 886 (November 1985)
: 174
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Fujieda, Teruo. “Special Feature: Mark Rothko.”
Mizue
888 (March 1979)
: 6–57
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
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