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Achim Borchardt-Hume
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Fundación caja de pensiones
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203 References
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date
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Essay/catalog entry
Exhibition catalog
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60 Works: The Peggy Guggenheim Collection
. The Solomon R. Guggenheim Museum, New York, 1982
.
Abadie, Daniel.
Un Art Autre, Un Autre Art
. Centre d’Art Plastique Contemporain, Paris, 1984
.
Acton, David, ed.
The Stamp of Impulse: Abstract Expressionist Prints
. Worcester Art Museum, Worcester, MA, 2001
.
Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Adams, Henry, ed.
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
. Carnegie Institute, Pittsburgh, PA, 1985
.
Amherst College, Mead Art Building.
Color Painting: A Special Loan Exhibition
. Amherst, MA, 1972
.
Anfam, David and Carol Mancusi-Ungaro.
Mark Rothko: The Chapel Commission
. The Menil Collection, Houston, TX, 1996
.
Anfam, David, ed.
Abstract Expressionism
. Royal Academy of Arts, London, 2016
.
Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki.
Mark Rothko
. Tokyo Shimbun, Tokyo, 1995
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Art du xxe siècle: Fondation Peggy Guggenheim, Venise
. Orangerie des Tuileries, Paris, 1974
.
Ashton, Dore.
À rebours: La rebelión informalista
/
The Informal Rebellion [1939–1968]
. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999
.
Ashton, Dore.
Mark Rothko
.
State Hermitage Museum, St. Petersburg, Russia, 2003
.
Bannard, Walter Darby.
Paintings of the 50s: Another Look
. Duke University Museum of Art, Durham, NC, 1983
.
Barbero, Luca Massimo.
Action Painting, American Art 1940-1970: From the Sketch to the Canvas
. Foro Boario di Modena, Italy, 2004
.
Barbero, Luca Massimo.
Peggy Guggenheim e la Nuova Pittura Americana
. Arca, Chiesa di San Marco, Vercelli, 2008
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Musée National d’Art Moderne, Paris, 1972
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Städtische Kunsthalle, Düsseldorf, Germany, 1971
.
Baumann, Felix Andreas.
Mark Rothko
. Kunsthaus Zürich, Zurich, Switzerland, 1971
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Benesch, Evelyn.
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
. BA-CA Kunstforum, Wien, Vienna, 2006
.
Beyeler, Ernst. "Foreword." In
Mark Rothko: Works on Paper, 1930–1969
, by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 4–5
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Borchardt-Hume, Achim, ed.
Rothko: The Late Series.
Tate Modern, London, 2008
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
Brooklyn Museum.
The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists
. New York, 1935
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Bucarelli, Palma.
Mark Rothko
. Galleria Nazionale d'Arte Moderna, Rome, 1962
.
Byrnes, James B., ed.
Mark Rothko: Ten Major Works
. Newport Harbor Art Museum, Newport Beach, CA, 1974
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
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