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Adolf Max Vogt
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109 References
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Acton, David. Rothko entry. In
The Stamp of Impulse: Abstract Expressionist Prints
, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001
: 50
.
Alloway, Lawrence.
The Venice Biennale, 1895-1968: From Salon to Goldfish Bowl
. Greenwich, CT, 1968
.
Alpers, Svetlana.
Roof Life
. New Haven, CT, 2013
.
Anfam, David.
Abstract Expressionism
. London, 1990
.
Anfam, David.
L’Expressionnisme
abstrait.
Translated by Olivier Meyer. Paris, 1999
.
Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Baal-Teshuva, Jacob.
Mark Rothko, 1903–1970: Pictures as Drama
. Cologne, Germany, 2003
.
Bell, Clare, Jennifer Blessing, et al.
Art of This Century: The Guggenheim Museum and Its Collection
. New York, 1993
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. [New York, 1986]
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Breslin, James E. B.
Mark Rothko: A Biography.
Chicago, IL, 1993
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Calas, Nicolas, and Elena Calas,
The Peggy Guggenheim Collection of Modern Art
. New York, 1966
.
Caldwell, John. Rothko entry. In
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989
.
Clearwater, Bonnie.
The Rothko Book
. London, 2006
.
Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In
Shaping a Generation: The Art and Artists of Betty Parsons
, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999
.
Cohen-Solal, Annie.
Mark Rothko
. Arles, France, 2013
.
Cohen-Solal, Annie.
Mark Rothko: Toward the Light in the Chapel
. New Haven, CT, 2015
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Finch, Christopher.
Twentieth-Century Watercolor
. New York, 1988
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Flint, Lucy.
The Peggy Guggenheim Collection
. New York, 1983
.
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