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75 References

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Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Ashton, Dore. “Rothko, obra en papel.” Arte y parte, no. 29 (October–November 2000): 31–39.

Ashton, Dore. Mark Rothko. State Hermitage Museum, St. Petersburg, Russia, 2003.

Baal-Teshuva, Jacob. Mark Rothko, 1903–1970: Pictures as Drama. Cologne, Germany, 2003.

Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008.

Cēbere, Gundega. “Svētki ar atgriešanos.” Māksla Plus 5 (October/November 2003): 10–11.

Clearwater, Bonnie. The Rothko Book. London, 2006.

Elger, Dietmar, et al. The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism. Fundación Juan March, Madrid, 2007.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

Phillips, Glenn, and Thomas Crow, eds. Seeing Rothko. Los Angeles, CA, 2005.

Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fer, Briony. The Infinite Line: Re-making Art after Modernism. New Haven, CT, 2004.

Fine, Ruth, and Teresa Arcq. El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington. Museo de arte moderno, Mexico City, 2005.

Fine, Ruth, Hyesoo Woo, and Moojeong Chung. The Art of Mark Rothko: Selections from the National Gallery of Art, Washington. Leeum, Samsung Museum of Art, Seoul, 2006.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Green, Denise. Metonymy in Contemporary Art: A New Paradigm. Minneapolis, MN, 2005.

Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005 : 179–199.

Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 67–89.

Omer, Mordechai, and Christopher Rothko, eds. Mark Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007.

Ottmann, Klaus. The Essential Mark Rothko. New York, 2003.

Pappas, Andrea. “Invisible Points of Departure: Reading Rothko’s Christological Imagery.” American Jewish History 92, no. 4 (December 2004): 401–436.

Pelše, Stella. “Universālas un dziļi personīgas gleznas.” Studija (August/September 2003): 68–71.

Schwartz, Constance. Surrealism: Dreams on Canvas. Nassau County Museum of Art, Roslyn Harbor, NY, 2007.

Sheets, Hilarie M. “Pulp Mysteries.” Art News 108, no. 5 (May 2009): 48–49.

Stewart, Jessica. Rothko entry. In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001.

Brodie, Judith, and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. National Gallery of Art, Washington, 2001.

Venturi, Riccardo. “Dossier: Rothko.” Art e dossier 238 (November 2007).

Venturi, Riccardo. Mark Rothko: Lo spazio e la sua disciplina. Milan, Italy, 2007.

Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001: 303–313.

Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 135–157.

Weiss, Jeffrey. “Submón.” In Mark Rothko, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000: 25–30.

Weiss, Jeffrey. “Underworld.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 37–44.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 5–25.

Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007.

Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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