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79 References

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Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.” Burlington Magazine 150, no. 1264 (July 2008): 498–500.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Ashton, Dore. Mark Rothko. State Hermitage Museum, St. Petersburg, Russia, 2003.

Ashton, Dore. “Rothko, obra en papel.” Arte y parte, no. 29 (October–November 2000): 31–39.

Baal-Teshuva, Jacob. Mark Rothko, 1903–1970: Pictures as Drama. Cologne, Germany, 2003.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–193.

Borchardt-Hume, Achim, ed. Rothko: The Late Series. Tate Modern, London, 2008.

Brodie, Judith, and Andrew Robison, eds. A Century of Drawing: Works on Paper from Degas to LeWitt. National Gallery of Art, Washington, 2001.

Carmean, E. A., Jr., ed. Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961. Knoedler & Company, New York, 2002.

Carmean, E. A., Jr. “Summers of Inspiration.” Art & Antiques (June 2002): 70–75.

Cēbere, Gundega. “Svētki ar atgriešanos.” Māksla Plus 5 (October/November 2003): 10–11.

Clearwater, Bonnie. The Rothko Book. London, 2006.

Cousinou, Olivier. Rothko entry. In Musée Cantini: Acquisitions Récentes, 1989-2004, edited by Danièle Giraudy. Musée Cantini, Marseille, France, 2004.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006: 55–61.

Elger, Dietmar, et al. The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism. Fundación Juan March, Madrid, 2007.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fer, Briony. The Infinite Line: Re-making Art after Modernism. New Haven, CT, 2004.

Fine, Ruth, and Teresa Arcq. El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington. Museo de arte moderno, Mexico City, 2005.

Fine, Ruth, Hyesoo Woo, and Moojeong Chung. The Art of Mark Rothko: Selections from the National Gallery of Art, Washington. Leeum, Samsung Museum of Art, Seoul, 2006.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008.

Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008.

Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 166–178.

Glueck, Grace. “Matchmaking: Old Masters Meet Their Modern Soul Mates.” New York Times, May 25, 2007.

Green, Denise. Metonymy in Contemporary Art: A New Paradigm. Minneapolis, MN, 2005.

Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005 : 179–199.

Hashimoto, Azusa. Rothko entry. In The 30th Anniversary: Collection of the National Museum of Art, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007.

Hoffmann, Gabriele. “Der umschlossene Raum, nur mir gehörig: In der Münchner Hypo-Kunsthalle ist in einer großen Werkschau Mark Rothkos künstlerische Entwicklung nachgezeichnet.” Stuttgarter Zeitung, February 21, 2008: 29.

Hoffmann, Gabriele. “Zwei Weiss, zwei Rot: Mark-Rothko-Retrospektive in der Kunsthalle der Hypo-Kulturstiftung München.” Neueste Nachrichten, April 17, 2008.

Kawamura Memorial DIC Museum of Art. Mark Rothko. Sakura, Japan, 2009.

Maak, Niklas. “Der amerikanische Raum.” Frankfurter Allgemeine, February 7, 2008: 33.

Mintz Messinger, Lisa. Expresionismo abstracto: obra sobre papel, Colección The Metropolitan Museum of Art, Nueva York. Fundación Juan March, Madrid, 2000.

The National Museum of Art, Osaka. Dream Museum: The Osaka Collections. The National Museum of Art, Osaka, Japan, 2007.

Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 95–105.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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