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84 References
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Exhibition catalog
Baumann, Felix Andreas.
Mark Rothko
. Kunsthaus Zürich, Zurich, Switzerland, 1971
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Rose, Bernice.
Rothko: A Painter’s Progress: The Year 1949
. PaceWildenstein, New York, 2004
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Panicelli, Ida.
Mark Rothko: Mostra didattica
. Galleria civica d’arte moderna, Palazzo Te, Mantua, Italy, 1977
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Städtische Kunsthalle, Düsseldorf, Germany, 1971
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971
.
Museum Boymans-van Beuningen.
Mark Rothko
. Rotterdam, Netherlands, 1972
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Musée National d’Art Moderne, Paris, 1972
.
O’Doherty, Brian.
Mark Rothko: The Last Paintings
. Pace Gallery, New York, 1994
.
Weppelmann, Stefan, and Gerhard Wolf, eds.
Rothko / Giotto
. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
.
Gassner, Hubertus, Christiane Lange, and Oliver Wick.
Mark Rothko Retrospektive
. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
.
Rosenblum, Robert.
Mark Rothko: Notes on Rothko’s Surrealist Years
. Pace Gallery, New York, 1981
.
Glimcher, Marc. M
ythology: Alexander Calder, Willem De Kooning, Max Ernst, Arshile Gorky, Adolph Gottlieb, Frederick Kiesler, André Masson, Roberto Matta, Joan Miró, Barnett Newman, Isamu Noguchi, Jackson Pollock, Mark Rothko, David Smith
. Pace Gallery, New York, 2012
.
Lawrence, James.
Mark Rothko: Works on Paper, 1941–1947
. Pace Gallery, New York, 2014
.
Wick, Oliver.
Mark Rothko: Works on Paper, 1930–1969
. Galerie Beyeler, Basel, Switzerland, 2005
.
Schimmel, Paul, and Lawrence Alloway.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
.
Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds.
Mark Rothko Retrospektive
. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
.
Seymour, Anne.
Beuys, Klein, Rothko: Transformation and Prophecy
. Anthony d’Offay Gallery, London, 1987
.
Chevrier, Jean-François, and Élia Pijollet.
Formas biográficas: Construcción y mitología individual
. Museo Nacional Centro de Arte Reina Sofía, Madrid, 2013
.
Wilmerding, John.
Church & Rothko: Sublime
. Mnuchin Gallery, New York, NY, 2020
.
Kawamura Memorial DIC Museum of Art.
Mark Rothko
. Sakura, Japan, 2009
.
Compton, Michael, ed.
Mark Rothko
. Fundación Juan March, Madrid, Spain, 1987
.
Haag, Sabine, and Jasper Sharp, eds.
The Shape of Time
. Kunsthistorisches Museum Wien, Vienna, 2018
.
Wick, Oliver.
Mark Rothko and Barnett Newman
. Fondation Beyeler, Basel, Switzerland, 2007
.
Amherst College, Mead Art Building.
Color Painting: A Special Loan Exhibition
. Amherst, MA, 1972
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki.
Mark Rothko
. Tokyo Shimbun, Tokyo, 1995
.
Fundacion Caja de Pensiones.
Beuys, Klein, Rothko: Profecía y transformación
. Madrid, 1987
.
O’Doherty, Brian.
Mark Rothko: The Dark Paintings, 1969–70
. Pace Gallery, New York, 1985
.
Dervaux, Isabelle, and Joseph Solman.
The Ten: Birth of the American Avant-Garde
. Mercury Gallery, Boston, 1998
.
Carmean, E. A., Jr., ed.
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
. Knoedler & Company, New York, 2002
.
Glimcher, Arnold.
Rothko: Dark Palette
. Pace Gallery, New York, 2016
.
Sandler, Irving.
Mark Rothko: Paintings, 1948–1969
. Pace Gallery, New York, 1983
.
Haag, Sabine, and Jasper Sharp, eds.
Mark Rothko
. Kunsthistorisches Museum Wien, Vienna, 2019
.
Shiff, Richard.
Rothko/Sugimoto: Dark Paintings and Seascapes
. Pace London, London, 2012
.
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