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Achim Borchardt-Hume
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Fundación caja de pensiones
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184 References
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60 Works: The Peggy Guggenheim Collection
. The Solomon R. Guggenheim Museum, New York, 1982
.
Abadie, Daniel.
Un Art Autre, Un Autre Art
. Centre d’Art Plastique Contemporain, Paris, 1984
.
"Acquisitions of Drawings at The Museum of Modern Art, 1985-1991."
Burlington Magazine
134, no. 1072 (July 1992)
: 473–478
.
Acton, David, ed.
The Stamp of Impulse: Abstract Expressionist Prints
. Worcester Art Museum, Worcester, MA, 2001
.
Adams, Henry, ed.
American Drawings and Watercolors in the Museum of Art, Carnegie Institute
. Carnegie Institute, Pittsburgh, PA, 1985
.
Alloway, Lawrence. "Notes on Rothko."
Art International
6, no. 5-6 (Summer 1962)
: 90–94
.
"American Prints: 1890-1955 at Pace."
The Print Collector's Newsletter
14, no. 3 (July-August 1983)
: 101
.
Amherst College, Mead Art Building.
Color Painting: A Special Loan Exhibition
. Amherst, MA, 1972
.
Anfam, David and Carol Mancusi-Ungaro.
Mark Rothko: The Chapel Commission
. The Menil Collection, Houston, TX, 1996
.
Anfam, David, ed.
Abstract Expressionism
. Royal Academy of Arts, London, 2016
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki.
Mark Rothko
. Tokyo Shimbun, Tokyo, 1995
.
Art du xxe siècle: Fondation Peggy Guggenheim, Venise
. Orangerie des Tuileries, Paris, 1974
.
Ashton, Dore.
À rebours: La rebelión informalista
/
The Informal Rebellion [1939–1968]
. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999
.
Ashton, Dore.
Mark Rothko
.
State Hermitage Museum, St. Petersburg, Russia, 2003
.
Ashton, Dore. “Rothko, obra en papel.”
Arte y parte
, no. 29 (October–November 2000)
: 31–39
.
Ashton, Dore. “Rothko’s Passion.”
Art International
22 (February 1979)
: 6–13
.
Bannard, Walter Darby.
Paintings of the 50s: Another Look
. Duke University Museum of Art, Durham, NC, 1983
.
Barbero, Luca Massimo.
Action Painting, American Art 1940-1970: From the Sketch to the Canvas
. Foro Boario di Modena, Italy, 2004
.
Barbero, Luca Massimo.
Peggy Guggenheim e la Nuova Pittura Americana
. Arca, Chiesa di San Marco, Vercelli, 2008
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Musée National d’Art Moderne, Paris, 1972
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Städtische Kunsthalle, Düsseldorf, Germany, 1971
.
Baumann, Felix Andreas.
Mark Rothko
. Kunsthaus Zürich, Zurich, Switzerland, 1971
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Benesch, Evelyn.
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
. BA-CA Kunstforum, Wien, Vienna, 2006
.
Beyeler, Ernst. "Foreword." In
Mark Rothko: Works on Paper, 1930–1969
, by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 4–5
.
Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.”
Kunst & Cultuur
[Palais des Beaux-arts] 32, no. 1 (January 1999)
: 4–6
.
Boissel, Jessica. “Technique de Rothko.”
Art Press International
27 (April 1979)
: 7
.
Borchardt-Hume, Achim, ed.
Rothko: The Late Series.
Tate Modern, London, 2008
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
Brooklyn Museum.
The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists
. New York, 1935
.
Bucarelli, Palma.
Mark Rothko
. Galleria Nazionale d'Arte Moderna, Rome, 1962
.
Byrnes, James B., ed.
Mark Rothko: Ten Major Works
. Newport Harbor Art Museum, Newport Beach, CA, 1974
.
Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 4–5
.
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