Rothko Catalogue Raisonné

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79 References

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Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 89–118.

Hoffmann, Gabriele. “Zwei Weiss, zwei Rot: Mark-Rothko-Retrospektive in der Kunsthalle der Hypo-Kulturstiftung München.” Neueste Nachrichten, April 17, 2008.

Hoffmann, Gabriele. “Der umschlossene Raum, nur mir gehörig: In der Münchner Hypo-Kunsthalle ist in einer großen Werkschau Mark Rothkos künstlerische Entwicklung nachgezeichnet.” Stuttgarter Zeitung, February 21, 2008: 29.

Raab, Harald. “Spirituelles Farb-Erlebnis: Mark Rothko in München.” Mittelbayerische Zeitung, February 8, 2008.

Rose, Bernice. Rothko: A Painter’s Progress: The Year 1949. PaceWildenstein, New York, 2004.

Rothko, Mark. L’artista e la sua realità. Translated by Riccardo Venturi. Milan, Italy, 2007.

Rothko, Mark. The Artist’s Reality: Philosophies of Art. Edited by Christopher Rothko. New Haven, CT, 2004.

Rothko, Christopher. “Introduction.” In The Artist’s Reality: Philosophies of Art, by Mark Rothko. New Haven, CT, 2004: xi–xxxi.

Weppelmann, Stefan, and Gerhard Wolf, eds. Rothko / Giotto. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 11–27.

Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–193.

Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 166–178.

Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 95–105.

Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005.

Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 12–28.

Wilker, Annie, and Jens Stenger. Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis. Cambridge, MA, 2009.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006: 55–61.

Weppelmann, Stefan. “Giotto’s Rumblings: Mark Rothko and the Renaissance as a Rhetoric of Modernism.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 41–66.

Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.” Burlington Magazine 150, no. 1264 (July 2008): 498–500.

Glueck, Grace. “Matchmaking: Old Masters Meet Their Modern Soul Mates.” New York Times, May 25, 2007.

Rothko, Christopher. “Introduzione.” In L’Artista e la sua realtà: Filosofie de l’arte. Translated by Riccardo Venturi. Milan, 2007: 11–38.

Kawamura Memorial DIC Museum of Art. Mark Rothko. Sakura, Japan, 2009.

Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In Mark Rothko and Barnett Newman, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007: 5–9.

Wick, Oliver. Mark Rothko and Barnett Newman. Fondation Beyeler, Basel, Switzerland, 2007.

Painter, Karen, and Thomas Crow, eds. Late Thoughts: Reflections on Artists and Composers at Work. Getty Research Institute, Los Angeles, CA, 2006.

Ashton, Dore. “Rothko, obra en papel.” Arte y parte, no. 29 (October–November 2000): 31–39.

Stewart, Jessica. “Chronology.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 185–193.

Wiedemann, Christoph. “Schutzlos der Welt ausgeliefert.” Süddeutsche Zeitung Extra, February 7, 2008: 1.

Maak, Niklas. “Der amerikanische Raum.” Frankfurter Allgemeine, February 7, 2008: 33.

Carmean, E. A., Jr. “Summers of Inspiration.” Art & Antiques (June 2002): 70–75.

Rosenblum, Robert. “Notas sobre Rothko y la tradición.” Arte y parte, no. 29 (October–November 2000): 15–30.

Stewart, Jessica. “Biografie.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 196–206.

Carmean, E. A., Jr., ed. Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961. Knoedler & Company, New York, 2002.

Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002: 18–19.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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