[Untitled]
![[Untitled]](https://rothko.nga.gov/media/collectiveaccess/images/5/6/59950_ca_object_representations_media_5617_large.jpg)
Date
Medium
Support
Watermark
Dimensions
40 1/2 x 27 3/8 in. (102.9 x 69.5 cm)
Estate/Inventory Number
1022.44c
Collection
Collection of Kate Rothko Prizel. © Kate Rothko Prizel and Christopher Rothko
Exhibitions
Twentieth-Century American Drawings: The Figure in Context, Terra Museum of American Art, April 29 – June 17, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Arkansas Arts Center, June 29 – August 19, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Oklahoma Museum of Art, September 4 – October 14, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Toledo Museum of Art, November 18 – December 30, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Elvehjem Museum of Art, University of Wisconsin-Madison, January 19 – March 3, 1985, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, National Academy of Design, March 1 – May 5, 1985, no. 68, as Untitled.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 74, as Untitled.
Mark Rothko: Works on Paper, 1930–1969, Galerie Beyeler, Basel, June 7 – August 20, 2005, cat. 30, as Untitled.
Mark Rothko, Tel Aviv Museum of Art, March 30 – June 30, 2007, cat. 9, as Untitled.
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 42, as Untitled.
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 41, as Ohne Titel / Untitled.
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 41, as Ohne Titel / Untitled.
Mark Rothko, Portland Art Museum, February 18 – May 27, 2012, no. 19, as Untitled.
Mark Rothko: The Watercolors, 1941–1947, Pace Gallery, New York, May 2 – June 20, 2014, as Untitled.
Mark Rothko: Paintings on Paper, National Gallery of Art, November 19, 2023 – March 31, 2024, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Arkansas Arts Center, June 29 – August 19, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Oklahoma Museum of Art, September 4 – October 14, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Toledo Museum of Art, November 18 – December 30, 1984, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, Elvehjem Museum of Art, University of Wisconsin-Madison, January 19 – March 3, 1985, no. 68, as Untitled.
Twentieth-Century American Drawings: The Figure in Context, National Academy of Design, March 1 – May 5, 1985, no. 68, as Untitled.
Mark Rothko: “A Consummated Experience between Picture and Onlooker”, Fondation Beyeler, February 18 – June 24, 2001, cat. 74, as Untitled.
Mark Rothko: Works on Paper, 1930–1969, Galerie Beyeler, Basel, June 7 – August 20, 2005, cat. 30, as Untitled.
Mark Rothko, Tel Aviv Museum of Art, March 30 – June 30, 2007, cat. 9, as Untitled.
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 42, as Untitled.
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 41, as Ohne Titel / Untitled.
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 41, as Ohne Titel / Untitled.
Mark Rothko, Portland Art Museum, February 18 – May 27, 2012, no. 19, as Untitled.
Mark Rothko: The Watercolors, 1941–1947, Pace Gallery, New York, May 2 – June 20, 2014, as Untitled.
Mark Rothko: Paintings on Paper, National Gallery of Art, November 19, 2023 – March 31, 2024, as Untitled.
References
Waldman, Diane. Mark Rothko, 1903–1970: A Retrospective. Solomon R. Guggenheim Museum, New York, 1978: cat. 47 (b/w).
Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. International Exhibitions Foundation, Washington, 1984: 110, no. 68 (b/w).
Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985: C30.
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.” Smithsonian Studies in American Art 2, no. 2 (Spring 1988): 43, 52, fig. 15 (b/w).
Ross, Clifford. Abstract Expressionism: Creators and Critics: An Anthology. New York, 1990: 169 (b/w).
Polcari, Stephen. Abstract Expressionism and the Modern Experience. New York, 1991: 125, 138, fig. 63 (b/w).
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 175, cat. 74 (color).
Baal-Teshuva, Jacob. Mark Rothko, 1903–1970: Pictures as Drama. Cologne, Germany, 2003: 41 (color) [reproduced in reverse].
Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005: 17, 25, 69, cat. 30 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 15, cat. 42 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 15, 199, cat. 42 (color).
Omer, Mordechai, and Christopher Rothko, eds. Mark Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: cat. 9 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, cat. 41 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 101, 103 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, 168–169, 174, 181, 212, cat. 41 (color).
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 181, cat. 41 (color).
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 168–169, 174, cat. 41 (color).
Lawrence, James. Mark Rothko: Works on Paper, 1941–1947. Pace Gallery, New York, 2014: 8, 10, 87, 81 (color), fig. 4 (color detail).
Glimcher, Arne. Mark Rothko: The Exhibitions at Pace. Pace Gallery, New York, 2019: 274, fig. 5 (color).
Greenhalgh, Adam. Mark Rothko: Paintings on Paper. National Gallery of Art, Washington, 2023: 183, plate 42 (color).
Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. International Exhibitions Foundation, Washington, 1984: 110, no. 68 (b/w).
Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985: C30.
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.” Smithsonian Studies in American Art 2, no. 2 (Spring 1988): 43, 52, fig. 15 (b/w).
Ross, Clifford. Abstract Expressionism: Creators and Critics: An Anthology. New York, 1990: 169 (b/w).
Polcari, Stephen. Abstract Expressionism and the Modern Experience. New York, 1991: 125, 138, fig. 63 (b/w).
Wick, Oliver, et al. Mark Rothko. Fondation Beyeler, Basel, Switzerland, 2001: 175, cat. 74 (color).
Baal-Teshuva, Jacob. Mark Rothko, 1903–1970: Pictures as Drama. Cologne, Germany, 2003: 41 (color) [reproduced in reverse].
Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005: 17, 25, 69, cat. 30 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 15, cat. 42 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 15, 199, cat. 42 (color).
Omer, Mordechai, and Christopher Rothko, eds. Mark Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: cat. 9 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, cat. 41 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 101, 103 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 19, 168–169, 174, 181, 212, cat. 41 (color).
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 181, cat. 41 (color).
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 168–169, 174, cat. 41 (color).
Lawrence, James. Mark Rothko: Works on Paper, 1941–1947. Pace Gallery, New York, 2014: 8, 10, 87, 81 (color), fig. 4 (color detail).
Glimcher, Arne. Mark Rothko: The Exhibitions at Pace. Pace Gallery, New York, 2019: 274, fig. 5 (color).
Greenhalgh, Adam. Mark Rothko: Paintings on Paper. National Gallery of Art, Washington, 2023: 183, plate 42 (color).
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