In 1960 Wassily Leontief, head of the Harvard Society of Fellows, invited Rothko to consider donating a selection of works to Harvard University in Cambridge, Massachusetts. Negotiations began in earnest in the fall of 1961 and continued into early 1962, at which point Rothko began work on a mural cycle conceived for the penthouse dining room of the university’s recently built Holyoke Center. On December 27, 1962, six large canvases were delivered to the Holyoke Center (Anfam 737–742). In January 1963, Rothko traveled to Cambridge and selected and arranged five of them—three as a triptych (Anfam 737–739)—in the room. They were hung in 1964 (fig. 1).
In preparation for this work, Rothko had moved into a new studio on First Avenue in New York at the beginning of January 1962 and had temporary walls constructed to replicate the layout of the Holyoke Center dining room. He was reported to have been at work on the cycle, presumably painting on canvas, by February 1963. He made at least six smaller-scale studies on canvas (Anfam 731–736) in addition to the six that were delivered to Harvard in December 1962 [James E. B. Breslin, Mark Rothko: A Biography (Chicago and London, 1993), 649n19; Karyn Esielonis, “The History of Rothko’s Harvard Murals,” in Marjorie B. Cohn, ed., Mark Rothko’s Harvard Murals (Cambridge, 1988), 12n13].
Before initiating work on canvas—presumably during the first two months of 1962 given the ongoing negotiations with Harvard—Rothko made a group of preliminary studies on paper, including this drawing, which corresponds closely to the right panel of the triptych (fig. 2). See Related Works on Paper for two related ink drawings that are likely studies for the Harvard project.
Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.