[Untitled]
![[Untitled]](https://rothko.nga.gov/media/collectiveaccess/images/3/7/85652_ca_object_representations_media_3773_large.jpg)
Date
Medium
Support
Dimensions
11 x 8 3/8 in. (27.8 x 21.3 cm)
Estate/Inventory Number
P 34
Collection
Collection of Kate Rothko Prizel. © Kate Rothko Prizel and Christopher Rothko
Exhibitions
Mark Rothko: Works on Paper, 1930–1969, Galerie Beyeler, Basel, June 7 – August 20, 2005, cat. 15, as Untitled.
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 30, as Untitled (Composite studies, The Omen of the Eagle, Iphigenia, Female Figures).
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 21, as Ohne Titel (Bildskizzen: Das Omen des Adlers, Iphigenie, Weibliche Figuren) / Untitled (Composite: The Omen of the Eagle, Iphigenia, Female Figures).
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 21, as Ohne Titel (Bildskizzen: Das Omen des Adlers, Iphigenie, Weibliche Figuren) / Untitled (Composite: The Omen of the Eagle, Iphigenia, Female Figures).
Mark Rothko, Palazzo delle esposizioni, October 6, 2007 – January 6, 2008, cat. 30, as Untitled (Composite studies, The Omen of the Eagle, Iphigenia, Female Figures).
Mark Rothko Retrospektive, Kunsthalle der Hypo-Kulturstiftung, February 8 – April 27, 2008, cat. 21, as Ohne Titel (Bildskizzen: Das Omen des Adlers, Iphigenie, Weibliche Figuren) / Untitled (Composite: The Omen of the Eagle, Iphigenia, Female Figures).
Mark Rothko Retrospektive, Hamburger Kunsthalle, May 16 – September 14, 2008, cat. 21, as Ohne Titel (Bildskizzen: Das Omen des Adlers, Iphigenie, Weibliche Figuren) / Untitled (Composite: The Omen of the Eagle, Iphigenia, Female Figures).
References
Wick, Oliver. Mark Rothko: Works on Paper, 1930–1969. Galerie Beyeler, Basel, Switzerland, 2005: 23, 69, cat. 15 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 14, cat. 30 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 14, 199, cat. 30 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 102-103, 104 (b/w).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 18, cat. 21 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 18, 211, cat. 21 (color).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 14, cat. 30 (color).
Wick, Oliver, ed. Mark Rothko. Palazzo delle esposizioni, Rome, 2007: 14, 199, cat. 30 (color).
Nodelman, Sheldon. “The Unknown Rothko.” Art in America 96, no. 2 (February 2008): 102-103, 104 (b/w).
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 18, cat. 21 (color).
Gassner, Hubertus, Christiane Lange, and Oliver Wick. Mark Rothko Retrospektive. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 18, 211, cat. 21 (color).
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