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62 References
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Rothko, Christopher. “Introduzione.” In
L’Artista e la sua realtà: Filosofie de l’arte
. Translated by Riccardo Venturi. Milan, 2007
: 11–38
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002
: 18–19
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 11–27
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 89–118
.
Sharp, Jasper. "Den ganzen Himmel malen." In
Bilder Träume: Die Sammlung Ulla und Heiner Pietzsch
, by Udo Kittelmann et al. Neue Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin, 2009
: 57-61
.
Sharp, Jasper. “Die Augenzeugin und die Sammler: Zwei Sammlungen auf der Spur des Abstrakten Expressionismus.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 123-139
.
Sharp, Jasper. Rothko entry. In
Verrückte Liebe: Von Dalí bis Francis Bacon: Surreale Kunst aus der Sammlung Ulla und Heiner Pietzsch
, by Evelyn Benesch. BA-CA Kunstforum, Wien, Vienna, 2006
: 176
.
Sharp, Jasper. “The Eyewitness and the Connoisseurs: Two Collections Trace Abstract Expressionism.” In
Affinities: Werke der Peggy Guggenheim Collection und der Sammlung Ulla und Heiner Pietzsch
, by Jasper Sharp, Henrike Schulte, and Folker Skulima. Solomon R. Guggenheim Foundation, New York, 2006
: 122-139
.
Stenger, Jens. “Mark Rothko’s Mural Sketches: Scientific Analysis.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Stewart, Jessica. “Biografie.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 196–206
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 185–193
.
Stewart, Jessica. Rothko entry. In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
.
Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
: 303–313
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
Weiss, Jeffrey. “L’espace inconnu de Rothko.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999
: 59–74
.
Weiss, Jeffrey. “Rothko’s Unknown Space.” In
Mark Rothko
, edited by Jeffrey Weiss.
National Gallery of Art, Washington, 1998
: 302–329
.
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 25–30
.
Weppelmann, Stefan. “Giotto’s Rumblings: Mark Rothko and the Renaissance as a Rhetoric of Modernism.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 41–66
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007
: 5–25
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 12–28
.
Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In
Mark Rothko and Barnett Newman
, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007
: 5–9
.
Wick, Oliver. "Mark Rothko: Blindsehen oder Zeichnung als kommemorierte Erinnerung," in
Mark Rothko: Works on Paper, 1930–1969
, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 6–30
.
Wick, Oliver. "Mark Rothko: Seeing Blind and Drawing as Remembrance Commemorated," in
Mark Rothko: Works on Paper, 1930–1969
, edited by Oliver Wick. Galerie Beyeler, Basel, Switzerland, 2005
: 7–30
.
Wilker, Annie. “Mark Rothko’s Mural Sketches: Materials and Use.” In
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
, by Annie Wilker and Jens Stenger. Cambridge, MA, 2009
.
Zamoiski, Clair. “Chronology.” In
Mark Rothko, 1903–1970: A Retrospective
, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978
: 265–279
.
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