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Fundación caja de pensiones
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The Metropolitan Museum of Art
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221 References
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date
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Feldman, Morton.
Six Painters: Mondrian, Guston, Kline, De Kooning, Pollock, Rothko
. University of St. Thomas Art Department, Houston, TX, 1967
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Phillips, Glenn, and Thomas Crow, eds.
Seeing Rothko
. Los Angeles, CA, 2005
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Fine, Ruth, and Teresa Arcq.
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
. Museo de arte moderno, Mexico City, 2005
.
Fine, Ruth, Hyesoo Woo, and Moojeong Chung.
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
. Leeum, Samsung Museum of Art, Seoul, 2006
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.”
Museum News
62, no. 5 (June 1984)
.
Fujieda, Teruo. “Special Feature: Mark Rothko.”
Mizue
888 (March 1979)
: 6–57
.
Gibson, Ann. “Regression and Color in Abstract Expressionism: Barnett Newman, Mark Rothko, and Clyfford Still.”
Arts Magazine
55, no. 7 (March 1981)
: 144–153
.
Grabenhorst-Randall, Terree.
Jung and Abstract Expressionism: The Collective Image Among Individual Voices
. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986
.
Graff, Roberta. “Museum Beat.”
South Shore Record,
May 9, 1985
.
Green, Denise.
Metonymy in Contemporary Art: A New Paradigm
. Minneapolis, MN, 2005
.
Greene, Alison de Lima, ed.
Mark Rothko: An Essential Reader
. Museum of Fine Arts, Houston, Houston, TX, 2015
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
H.V.D. “Art in Review.”
New York Times,
November 25, 1933
.
“Lively Doings in Art Circles.”
New York Sun,
December 1, 1933
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Kaiser, Franz-W., Harry Cooper, Henk van Os, and Joost Zwagerman.
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
.
Kellein, Thomas, ed.
Mark Rothko: Kaaba in New York
. Kunsthalle Basel, Basel, Switzerland, 1989
.
Kertess, Klaus.
Sea Change
. Parrish Art Museum, Southampton, NY, 1998
.
Kessler, Pamela. “Fade to Gray: Mark Rothko at National.”
Washington Post,
May 4, 1984
.
Kramer, Hilton. “Rothko–Art as Religious Faith.”
New York Times,
November 12, 1978
.
Lecoq-Ramond, Sylvie.
Variations autour de la crucifixion: regards contemporains sur Grünewald
. Musée d’Unterlinden, Colmar, France, 1993
.
Leonard, Michael. “A Search for Spiritual Essence.”
Artweek
(June 14, 1986)
: 3
.
Lewis, Jo Ann. “Rothko: Not Nothing. A Modern Master Is Here, but the Old Thrill Is Gone.”
Washington Post,
May 3, 1998
.
Lorent, Claude. “Mark Rothko: La lente conquête du sublime.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 6
.
Malamud, Bernard. “Mark Rothko: Works on Paper.”
FMR
11 (May 1985)
: 32–35
.
McCoy, Mary. “Review: Mark Rothko at the Academy Art Museum.”
Chestertown Spy,
February 7, 2012
.
Miller, Donald. “Rothko’s Work Retains Its Luminous Quality.”
Pittsburgh Post-Gazette,
November 24, 1984
.
National Gallery of Art.
A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988
. Washington, 1989
.
Nodelman, Sheldon.
The Rothko Chapel Paintings: Origins, Structure, Meaning
. Austin, TX, 1997
.
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