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Achim Borchardt-Hume
Alison de Lima Greene
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Fundación caja de pensiones
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The Metropolitan Museum of Art
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221 References
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Name
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date
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Anfam, David.
Abstract Expressionism
. London, 1990
.
Anfam, David and Carol Mancusi-Ungaro.
Mark Rothko: The Chapel Commission
. The Menil Collection, Houston, TX, 1996
.
Anfam, David, ed.
Abstract Expressionism
. Royal Academy of Arts, London, 2016
.
Anfam, David.
L’Expressionnisme
abstrait.
Translated by Olivier Meyer. Paris, 1999
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Anfam, David.
Mark Rothko: The Works on Canvas Catalogue Raisonné.
National Gallery of Art, Washington, and Yale University Press, New Haven, CT, 1998
.
Anfam, David, Nobuyuki Hiromoto, Sumi Hayashi, and Naoko Seki.
Mark Rothko
. Tokyo Shimbun, Tokyo, 1995
.
Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Ashton, Dore.
À rebours: La rebelión informalista
/
The Informal Rebellion [1939–1968]
. Centro atlántico de arte moderno, Las Palmas de Gran Canaria, Spain, and Museo nacional centro de arte Reina Sofía, Madrid, 1999
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Ashton, Dore.
Mark Rothko
.
State Hermitage Museum, St. Petersburg, Russia, 2003
.
Ashton, Dore. “Rothko, obra en papel.”
Arte y parte
, no. 29 (October–November 2000)
: 31–39
.
Ashton, Dore. “Rothko’s Passion.”
Art International
22 (February 1979)
: 6–13
.
Baal-Teshuva, Jacob.
Mark Rothko, 1903–1970: Pictures as Drama
. Cologne, Germany, 2003
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Musée National d’Art Moderne, Paris, 1972
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Nationalgalerie, Staatliche Museen Preußischer Kulturbesitz, Neuer Berliner Kunstverein, Berlin, 1971
.
Baumann, Felix Andreas, ed.
Mark Rothko
. Städtische Kunsthalle, Düsseldorf, Germany, 1971
.
Baumann, Felix Andreas.
Mark Rothko
. Kunsthaus Zürich, Zurich, Switzerland, 1971
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. [New York, 1986]
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Boenders, Frans. “De sjamanenkunst van Mark Rothko/De zielentocht van Mark Rothko.”
Kunst & Cultuur
[Palais des Beaux-arts] 32, no. 1 (January 1999)
: 4–6
.
Boissel, Jessica. “Technique de Rothko.”
Art Press International
27 (April 1979)
: 7
.
Borchardt-Hume, Achim, ed.
Rothko: The Late Series.
Tate Modern, London, 2008
.
Braff, Phyllis.
The Surrealists and their Friends on Eastern Long Island at Mid-Century
. Guild Hall Museum, East Hampton, NY, 1996
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Brenson, Michael. “Rothko at the Guggenheim.”
New York Times
, June 7, 1985
.
Breslin, James E. B.
Mark Rothko: A Biography.
Chicago, IL, 1993
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
Brooklyn Museum.
The Eighth Biennial Exhibition of Water Colors, Pastels and Drawings by American and Foreign Artists
. New York, 1935
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Caltagirone, Sandra. “Rothko: Investigation au coeur d’un ciel intérieur.”
Art & Culture
[Palais des Beaux-arts, Brussels] 13, no. 5 (January 1999)
: 4–5
.
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