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75 References
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Gassner, Hubertus, Christiane Lange, and Oliver Wick.
Mark Rothko Retrospektive
. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
.
Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 89–118
.
Weppelmann, Stefan, and Gerhard Wolf, eds.
Rothko / Giotto
. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
.
Rothko, Christopher. “Introduction.” In
The Artist’s Reality: Philosophies of Art
, by Mark Rothko. New Haven, CT, 2004
: xi–xxxi
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
Rothko, Mark.
The Artist’s Reality: Philosophies of Art
. Edited by Christopher Rothko. New Haven, CT, 2004
.
Rothko, Mark.
L’artista e la sua realità
. Translated by Riccardo Venturi. Milan, Italy, 2007
.
Rose, Bernice.
Rothko: A Painter’s Progress: The Year 1949
. PaceWildenstein, New York, 2004
.
Raab, Harald. “Spirituelles Farb-Erlebnis: Mark Rothko in München.”
Mittelbayerische Zeitung
, February 8, 2008
.
Hoffmann, Gabriele. “Der umschlossene Raum, nur mir gehörig: In der Münchner Hypo-Kunsthalle ist in einer großen Werkschau Mark Rothkos künstlerische Entwicklung nachgezeichnet.”
Stuttgarter Zeitung
, February 21, 2008
: 29
.
Hoffmann, Gabriele. “Zwei Weiss, zwei Rot: Mark-Rothko-Retrospektive in der Kunsthalle der Hypo-Kulturstiftung München.”
Neueste Nachrichten
, April 17, 2008
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Nodelman, Sheldon. “The Unknown Rothko.”
Art in America
96, no. 2 (February 2008)
: 95–105
.
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 25–30
.
Weiss, Jeffrey. “Underworld.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 37–44
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007
: 5–25
.
Wick, Oliver, ed.
Mark Rothko
. Palazzo delle esposizioni, Rome, 2007
.
Wick, Oliver, et al.
Mark Rothko
.
Fondation Beyeler, Basel, Switzerland, 2001
.
Wick, Oliver, et al.
Mark Rothko
.
Fundació Joan Miró, Barcelona, Spain, 2000
.
Wilker, Annie, and Jens Stenger.
Mark Rothko’s Mural Sketches: Materials and Use / Scientific Analysis
. Cambridge, MA, 2009
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 12–28
.
Gassner, Hubertus, Christiane Lange, and Oliver Wick, eds.
Mark Rothko Retrospektive
. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
.
Wick, Oliver.
Mark Rothko: Works on Paper, 1930–1969
. Galerie Beyeler, Basel, Switzerland, 2005
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
Kawamura Memorial DIC Museum of Art.
Mark Rothko
. Sakura, Japan, 2009
.
Rothko, Christopher. “Introduzione.” In
L’Artista e la sua realtà: Filosofie de l’arte
. Translated by Riccardo Venturi. Milan, 2007
: 11–38
.
Glueck, Grace. “Matchmaking: Old Masters Meet Their Modern Soul Mates.”
New York Times
, May 25, 2007
.
Anfam, David. “Mark Rothko: Rome, Munich, and Hamburg.”
Burlington Magazine
150, no. 1264 (July 2008)
: 498–500
.
Weppelmann, Stefan. “Giotto’s Rumblings: Mark Rothko and the Renaissance as a Rhetoric of Modernism.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 41–66
.
Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In
Mark Rothko and Barnett Newman
, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007
: 5–9
.
Wick, Oliver.
Mark Rothko and Barnett Newman
. Fondation Beyeler, Basel, Switzerland, 2007
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 11–27
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002
: 18–19
.
Carmean, E. A., Jr., ed.
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
. Knoedler & Company, New York, 2002
.
Stewart, Jessica. “Biografie.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 196–206
.
Rosenblum, Robert. “Notas sobre Rothko y la tradición.”
Arte y parte
, no. 29 (October–November 2000)
: 15–30
.
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