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48 References
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Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 185–193
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In
Mark Rothko and Barnett Newman
, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007
: 5–9
.
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 25–30
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
Stewart, Jessica. “Biografie.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 196–206
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Weiss, Jeffrey. “L’espace inconnu de Rothko.” In
Mark Rothko
, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999
: 59–74
.
Stewart, Jessica. Rothko entry. In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
.
Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
: 303–313
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 67–89
.
Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In
American Art at Mid-Century: The Subjects of the Artist
, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978
: 242–269
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Rosenblum, Robert. “The Surrealist Years.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 21–27
.
Zamoiski, Clair. “Chronology.” In
Mark Rothko, 1903–1970: A Retrospective
, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978
: 265–279
.
Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In
Rothko / Giotto
, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
: 89–118
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In
Mark Rothko
, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007
: 5–25
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 12–28
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Lawrence, James. “The Watercolors 1941–1947.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 28–37
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
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