Rothko Catalogue Raisonné

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Annie Wilker
Azusa Hashimoto
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48 References

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Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Stewart, Jessica. “Chronology.” In Mark Rothko, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001: 185–193.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006: 55–61.

Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In Mark Rothko and Barnett Newman, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007: 5–9.

Weiss, Jeffrey. “Submón.” In Mark Rothko, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000: 25–30.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 102–119.

Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 44–57.

Stewart, Jessica. “Biografie.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 196–206.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005 : 179–199.

Weiss, Jeffrey. “L’espace inconnu de Rothko.” In Mark Rothko, by Jeffrey Weiss et al. Musée d’art moderne de la ville de Paris, Paris, 1999: 59–74.

Stewart, Jessica. Rothko entry. In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001.

Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In A Century of Drawing: Works on Paper from Degas to LeWitt, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001: 303–313.

Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 135–157.

Kaiser, Franz-W. “Biografie.” In Mark Rothko: Uit de collectie van de National Gallery of Art, Washington, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014: 9–33.

Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In Mark Rothko, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007: 67–89.

Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In American Art at Mid-Century: The Subjects of the Artist, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978: 242–269.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–193.

Rosenblum, Robert. “The Surrealist Years.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 21–27.

Zamoiski, Clair. “Chronology.” In Mark Rothko, 1903–1970: A Retrospective, by Diane Waldman. Solomon R. Guggenheim Museum, New York, 1978: 265–279.

Schüppel, Katharina Christa. “From Myth to Abstraction. Mark Rothko and the New York School 1945-1970.” In Rothko / Giotto, edited by Stefan Weppelmann and Gerhard Wolf. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009: 89–118.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko, Italy, and the Yearning for Tradition.” In Mark Rothko, edited by Oliver Wick. Palazzo delle esposizioni, Rome, 2007: 5–25.

Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 31–47.

Wick, Oliver. “Do They Negate Each Other, Modern and Classical? Mark Rothko und die Sehnsucht nach Tradition.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 12–28.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Lawrence, James. “The Watercolors 1941–1947.” In Mark Rothko: The Exhibitions at Pace by Arnold Glimcher. Pace Gallery, New York, 2019: 28–37.

Schimmel, Paul. “Images of Metamorphosis.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 17–28.

Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 166–178.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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48 References

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