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79 References
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2000s
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Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Ashton, Dore.
Mark Rothko
.
State Hermitage Museum, St. Petersburg, Russia, 2003
.
Clearwater, Bonnie.
The Rothko Book
. London, 2006
.
Green, Denise.
Metonymy in Contemporary Art: A New Paradigm
. Minneapolis, MN, 2005
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth, Hyesoo Woo, and Moojeong Chung.
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
. Leeum, Samsung Museum of Art, Seoul, 2006
.
Fine, Ruth, and Teresa Arcq.
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
. Museo de arte moderno, Mexico City, 2005
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Phillips, Glenn, and Thomas Crow, eds.
Seeing Rothko
. Los Angeles, CA, 2005
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Elger, Dietmar, et al.
The Abstraction of Landscape: From Northern Romanticism to Abstract Expressionism
. Fundación Juan March, Madrid, 2007
.
Fer, Briony.
The Infinite Line: Re-making Art after Modernism
. New Haven, CT, 2004
.
Weiss, Jeffrey. “Submón.” In
Mark Rothko
, by Oliver Wick et al. Fundació Joan Miró, Barcelona, Spain, 2000
: 25–30
.
Wick, Oliver. “Mark Rothko and Barnett Newman: The Sublime Is Now!” In
Mark Rothko and Barnett Newman
, edited by Oliver Wick. Fondation Beyeler, Basel, Switzerland, 2007
: 5–9
.
Wick, Oliver.
Mark Rothko and Barnett Newman
. Fondation Beyeler, Basel, Switzerland, 2007
.
Painter, Karen, and Thomas Crow, eds.
Late Thoughts: Reflections on Artists and Composers at Work
. Getty Research Institute, Los Angeles, CA, 2006
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Stewart, Jessica. “Chronology.” In
Mark Rothko
, by Oliver Wick et al. Fondation Beyeler, Basel, Switzerland, 2001
: 185–193
.
Kawamura Memorial DIC Museum of Art.
Mark Rothko
. Sakura, Japan, 2009
.
Stewart, Jessica. Rothko entry. In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
.
Pelše, Stella. “Universālas un dziļi personīgas gleznas.”
Studija
(August/September 2003)
: 68–71
.
Pappas, Andrea. “Invisible Points of Departure: Reading Rothko’s Christological Imagery.”
American Jewish History
92, no. 4 (December 2004)
: 401–436
.
Ottmann, Klaus.
The Essential Mark Rothko
. New York, 2003
.
Omer, Mordechai, and Christopher Rothko, eds.
Mark Rothko
. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
.
Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 67–89
.
Weiss, Jeffrey. “Dis-Orientation: Rothko’s Inverted Canvases.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 135–157
.
Walsh, Judith. “Drawn to Tradition: Artists’ Paper through the Twentieth Century.” In
A Century of Drawing: Works on Paper from Degas to LeWitt
, edited by Judith Brodie and Andrew Robison. National Gallery of Art, Washington, 2001
: 303–313
.
Venturi, Riccardo.
Mark Rothko: Lo spazio e la sua disciplina
.
Milan, Italy, 2007
.
Venturi, Riccardo. “Dossier: Rothko.”
Art e dossier
238 (November 2007)
.
Weppelmann, Stefan, and Gerhard Wolf, eds.
Rothko / Giotto
. Gemäldegalerie, Staatliche Museen zu Berlin, Berlin, 2009
.
Sheets, Hilarie M. “Pulp Mysteries.”
Art News
108, no. 5 (May 2009)
: 48–49
.
Schwartz, Constance.
Surrealism: Dreams on Canvas
. Nassau County Museum of Art, Roslyn Harbor, NY, 2007
.
Brodie, Judith, and Andrew Robison, eds.
A Century of Drawing: Works on Paper from Degas to LeWitt
. National Gallery of Art, Washington, 2001
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Cēbere, Gundega. “Svētki ar atgriešanos.”
Māksla Plus
5
(October/November 2003)
: 10–11
.
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