Rothko Catalogue Raisonné : Browse References

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48 References

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“Rothko: Works on Paper.” Exhibit 123 (July–August 1984): 6–7.

Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.” Washington Times, May 4, 1984.

Ashton, Dore. About Rothko. New York, 1983.

Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.” Artforum 25, no. 2 (October 1986).

Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985.

Cassell, James. “Rothko’s Subtler Shades.” USA Today, May 7, 1984.

Chave, Anna C. Mark Rothko: Subjects in Abstraction. New Haven, CT, 1989.

Chave, Anna. Mark Rothko: Subjects. High Museum of Art, Atlanta, GA, 1983.

Clearwater, Bonnie. Mark Rothko: Works on Paper. American Federation of Arts, New York, 1984.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Compton, Michael. Mark Rothko: The Seagram Mural Project. Tate Gallery Liverpool, Liverpool, UK, 1988.

Duthy, Robin. “Investor’s File: The Fortunes of Rothko.” Connoisseur 215, no. 886 (November 1985): 174.

Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.” Museum News 62, no. 5 (June 1984).

Gibson, Ann. “Regression and Color in Abstract Expressionism: Barnett Newman, Mark Rothko, and Clyfford Still.” Arts Magazine 55, no. 7 (March 1981): 144–153.

Grabenhorst-Randall, Terree. Jung and Abstract Expressionism: The Collective Image Among Individual Voices. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986.

Graff, Roberta. “Museum Beat.” South Shore Record, May 9, 1985.

Kellein, Thomas, ed. Mark Rothko: Kaaba in New York. Kunsthalle Basel, Basel, Switzerland, 1989.

Kessler, Pamela. “Fade to Gray: Mark Rothko at National.” Washington Post, May 4, 1984.

Leonard, Michael. “A Search for Spiritual Essence.” Artweek (June 14, 1986): 3.

Malamud, Bernard. “Mark Rothko: Works on Paper.” FMR 11 (May 1985): 32–35.

Miller, Donald. “Rothko’s Work Retains Its Luminous Quality.” Pittsburgh Post-Gazette, November 24, 1984.

National Gallery of Art. A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988. Washington, 1989.

Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.” Smithsonian Studies in American Art 2, no. 2 (Spring 1988): 33–63.

Richard, Paul. “Rothko on Paper: Gazing at Eternity.” Washington Post, May 13, 1984.

Russell, Marilyn Miller. “Mark Rothko: Works on Paper, the Late Style Reconsidered.” Carnegie Magazine 57, no. 6 (November/December 1984): 32–34, 36–37.

Schmied, Wieland, ed. Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts. Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980.

Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In Mark Rothko’s Harvard Murals, edited by Marjorie B. Cohn. Cambridge, MA, 1988: 31–60.

Cohn, Marjorie B., ed. Mark Rothko’s Harvard Murals. Cambridge, MA, 1988.

Weiman, Liz M. “Museum Notebook: Rothko on Paper.” Southwest Art 15, no. 10 (March 1986): 82.

Tate Gallery. Mark Rothko, 1903–1970. London, 1987.

Turner, Elisa. “To Evoke the Enchanted Unknown.” Art News 85, no. 3 (March 1985): 33, 35.

Wechsler, Jeffrey. Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 1989.

Weiss, Evelyn, ed. Mark Rothko, 1903–1970. Museum Ludwig, Cologne, Germany, 1988.

Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 31–47.

Sozanski, Edward J. “National Gallery Gets Major Rothko Works.” Philadelphia Inquirer, May 4, 1984.

Blinken, Donald, et al. Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986. [New York, 1986].

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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