Rothko Catalogue Raisonné

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Fundación caja de pensiones
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The Metropolitan Museum of Art
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52 References

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Tate Gallery. Mark Rothko, 1903–1970. London, 1987.

Grabenhorst-Randall, Terree. Jung and Abstract Expressionism: The Collective Image Among Individual Voices. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986.

Graff, Roberta. “Museum Beat.” South Shore Record, May 9, 1985.

Chave, Anna. Mark Rothko: Subjects. High Museum of Art, Atlanta, GA, 1983.

Ashton, Dore. About Rothko. New York, 1983.

Chave, Anna C. Mark Rothko: Subjects in Abstraction. New Haven, CT, 1989.

Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.” Artforum 25, no. 2 (October 1986).

Brenson, Michael. “Rothko at the Guggenheim.” New York Times, June 7, 1985.

Cassell, James. “Rothko’s Subtler Shades.” USA Today, May 7, 1984.

Schmied, Wieland, ed. Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts. Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980.

Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In Mark Rothko’s Harvard Murals, edited by Marjorie B. Cohn. Cambridge, MA, 1988: 31–60.

Cohn, Marjorie B., ed. Mark Rothko’s Harvard Murals. Cambridge, MA, 1988.

Weiman, Liz M. “Museum Notebook: Rothko on Paper.” Southwest Art 15, no. 10 (March 1986): 82.

Gibson, Ann. “Regression and Color in Abstract Expressionism: Barnett Newman, Mark Rothko, and Clyfford Still.” Arts Magazine 55, no. 7 (March 1981): 144–153.

Turner, Elisa. “To Evoke the Enchanted Unknown.” Art News 85, no. 3 (March 1985): 33, 35.

Wechsler, Jeffrey. Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 1989.

Weiss, Evelyn, ed. Mark Rothko, 1903–1970. Museum Ludwig, Cologne, Germany, 1988.

Russell, Marilyn Miller. “Mark Rothko: Works on Paper, the Late Style Reconsidered.” Carnegie Magazine 57, no. 6 (November/December 1984): 32–34, 36–37.

Richard, Paul. “Rothko on Paper: Gazing at Eternity.” Washington Post, May 13, 1984.

Kellein, Thomas, ed. Mark Rothko: Kaaba in New York. Kunsthalle Basel, Basel, Switzerland, 1989.

Kessler, Pamela. “Fade to Gray: Mark Rothko at National.” Washington Post, May 4, 1984.

Leonard, Michael. “A Search for Spiritual Essence.” Artweek (June 14, 1986): 3.

Malamud, Bernard. “Mark Rothko: Works on Paper.” FMR 11 (May 1985): 32–35.

Miller, Donald. “Rothko’s Work Retains Its Luminous Quality.” Pittsburgh Post-Gazette, November 24, 1984.

National Gallery of Art. A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988. Washington, 1989.

Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.” Smithsonian Studies in American Art 2, no. 2 (Spring 1988): 33–63.

Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.” Museum News 62, no. 5 (June 1984).

Cummings, Paul. Twentieth-Century American Drawings: The Figure in Context. International Exhibitions Foundation, Washington, 1984.

Sandler, Irving. Mark Rothko: Paintings, 1948–1969. Pace Gallery, New York, 1983.

Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 31–47.

Sozanski, Edward J. “National Gallery Gets Major Rothko Works.” Philadelphia Inquirer, May 4, 1984.

Blinken, Donald, et al. Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986. [New York, 1986].

Schimmel, Paul, and Lawrence Alloway. The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948. Newport Harbor Art Museum, Newport Beach, CA, 1986.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Rosenblum, Robert. Mark Rothko: Notes on Rothko’s Surrealist Years. Pace Gallery, New York, 1981.

Schimmel, Paul. “Images of Metamorphosis.” In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 17–28.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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