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52 References
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1980s
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Tate Gallery.
Mark Rothko, 1903–1970
. London, 1987
.
Grabenhorst-Randall, Terree.
Jung and Abstract Expressionism: The Collective Image Among Individual Voices
. Hofstra Museum, Emily Lowe Gallery, Hofstra University, Hempstead, NY, 1986
.
Graff, Roberta. “Museum Beat.”
South Shore Record,
May 9, 1985
.
Chave, Anna.
Mark Rothko: Subjects
. High Museum of Art, Atlanta, GA, 1983
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
Brenson, Michael. “Rothko at the Guggenheim.”
New York Times
, June 7, 1985
.
Cassell, James. “Rothko’s Subtler Shades.”
USA Today,
May 7, 1984
.
Schmied, Wieland, ed.
Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts
.
Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980
.
Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In
Mark Rothko’s Harvard Murals
, edited by Marjorie B. Cohn. Cambridge, MA, 1988
: 31–60
.
Cohn, Marjorie B., ed.
Mark Rothko’s Harvard Murals
.
Cambridge, MA, 1988
.
Weiman, Liz M. “Museum Notebook: Rothko on Paper.”
Southwest Art
15, no. 10 (March 1986)
: 82
.
Gibson, Ann. “Regression and Color in Abstract Expressionism: Barnett Newman, Mark Rothko, and Clyfford Still.”
Arts Magazine
55, no. 7 (March 1981)
: 144–153
.
Turner, Elisa. “To Evoke the Enchanted Unknown.”
Art News
85, no. 3 (March 1985)
: 33, 35
.
Wechsler, Jeffrey. Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 1989
.
Weiss, Evelyn, ed.
Mark Rothko, 1903–1970
. Museum Ludwig, Cologne, Germany, 1988
.
Russell, Marilyn Miller. “Mark Rothko: Works on Paper, the Late Style Reconsidered.”
Carnegie Magazine
57, no. 6 (November/December 1984)
: 32–34, 36–37
.
Richard, Paul. “Rothko on Paper: Gazing at Eternity.”
Washington Post,
May 13, 1984
.
Kellein, Thomas, ed.
Mark Rothko: Kaaba in New York
. Kunsthalle Basel, Basel, Switzerland, 1989
.
Kessler, Pamela. “Fade to Gray: Mark Rothko at National.”
Washington Post,
May 4, 1984
.
Leonard, Michael. “A Search for Spiritual Essence.”
Artweek
(June 14, 1986)
: 3
.
Malamud, Bernard. “Mark Rothko: Works on Paper.”
FMR
11 (May 1985)
: 32–35
.
Miller, Donald. “Rothko’s Work Retains Its Luminous Quality.”
Pittsburgh Post-Gazette,
November 24, 1984
.
National Gallery of Art.
A Profile of the East Building: Ten Years at the National Gallery of Art, 1978–1988
. Washington, 1989
.
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.”
Smithsonian Studies in American Art
2, no. 2 (Spring 1988)
: 33–63
.
Frye, Melinda Young. “A Spring Quintet: Five Washington Area Exhibits You Won’t Want to Miss.”
Museum News
62, no. 5 (June 1984)
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Sandler, Irving.
Mark Rothko: Paintings, 1948–1969
. Pace Gallery, New York, 1983
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Sozanski, Edward J. “National Gallery Gets Major Rothko Works.”
Philadelphia Inquirer
, May 4, 1984
.
Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. [New York, 1986]
.
Schimmel, Paul, and Lawrence Alloway.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Rosenblum, Robert.
Mark Rothko: Notes on Rothko’s Surrealist Years
. Pace Gallery, New York, 1981
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
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