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Fundación caja de pensiones
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52 References
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1980s
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Blinken, Donald, et al.
Eliminating the Obstacles Between the Painter and the Observer: The Mark Rothko Foundation, 1976–1986
. [New York, 1986]
.
Russell, Marilyn Miller. “Mark Rothko: Works on Paper, the Late Style Reconsidered.”
Carnegie Magazine
57, no. 6 (November/December 1984)
: 32–34, 36–37
.
Schmied, Wieland, ed.
Zeichen des Glaubens: Geist der Avantgarde: Religiöse Tendenzen in der Kunst des 20. Jahrhunderts
.
Schloss Charlottenburg, Grosse Orangerie, Berlin, 1980
.
Schneider, Mary E. “Rothko’s Studies for the Harvard Murals.” In
Mark Rothko’s Harvard Murals
, edited by Marjorie B. Cohn. Cambridge, MA, 1988
: 31–60
.
Cohn, Marjorie B., ed.
Mark Rothko’s Harvard Murals
.
Cambridge, MA, 1988
.
Weiman, Liz M. “Museum Notebook: Rothko on Paper.”
Southwest Art
15, no. 10 (March 1986)
: 82
.
Tate Gallery.
Mark Rothko, 1903–1970
. London, 1987
.
Turner, Elisa. “To Evoke the Enchanted Unknown.”
Art News
85, no. 3 (March 1985)
: 33, 35
.
Wechsler, Jeffrey. Abstract Expressionism, Other Dimensions: An Introduction to Small Scale Painterly Abstraction in America, 1940–1965. The Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 1989
.
Weiss, Evelyn, ed.
Mark Rothko, 1903–1970
. Museum Ludwig, Cologne, Germany, 1988
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Sozanski, Edward J. “National Gallery Gets Major Rothko Works.”
Philadelphia Inquirer
, May 4, 1984
.
Allen, Jane Addams. “Mark Rothko’s Legacy: Paintings of Loneliness and Spirituality.”
Washington Times,
May 4, 1984
.
Schimmel, Paul, and Lawrence Alloway.
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Rosenblum, Robert.
Mark Rothko: Notes on Rothko’s Surrealist Years
. Pace Gallery, New York, 1981
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
Cummings, Paul.
Twentieth-Century American Drawings: The Figure in Context
. International Exhibitions Foundation, Washington, 1984
.
Sandler, Irving.
Mark Rothko: Paintings, 1948–1969
. Pace Gallery, New York, 1983
.
O’Doherty, Brian.
Mark Rothko: The Dark Paintings, 1969–70
. Pace Gallery, New York, 1985
.
Fundacion Caja de Pensiones.
Beuys, Klein, Rothko: Profecía y transformación
. Madrid, 1987
.
Seymour, Anne.
Beuys, Klein, Rothko: Transformation and Prophecy
. Anthony d’Offay Gallery, London, 1987
.
Baur, John I. H.
A Mirror of Creation: 150 Years of American Nature Painting
. New York, 1980
.
Compton, Michael, ed.
Mark Rothko
. Fundación Juan March, Madrid, Spain, 1987
.
Polcari, Stephen. “Mark Rothko: Heritage, Environment, and Tradition.”
Smithsonian Studies in American Art
2, no. 2 (Spring 1988)
: 33–63
.
“Rothko: Works on Paper.”
Exhibit 123
(July–August 1984)
: 6–7
.
Ashton, Dore.
About Rothko
. New York, 1983
.
Berkson, Bill. “Reviews: Mark Rothko: San Francisco Museum of Modern Art.”
Artforum
25, no. 2 (October 1986)
.
Brenson, Michael. “Rothko at the Guggenheim.”
New York Times
, June 7, 1985
.
Cassell, James. “Rothko’s Subtler Shades.”
USA Today,
May 7, 1984
.
Chave, Anna C.
Mark Rothko: Subjects in Abstraction.
New Haven, CT, 1989
.
Chave, Anna.
Mark Rothko: Subjects
. High Museum of Art, Atlanta, GA, 1983
.
Clearwater, Bonnie.
Mark Rothko: Works on Paper
.
American Federation of Arts, New York, 1984
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Compton, Michael.
Mark Rothko: The Seagram Mural Project
. Tate Gallery Liverpool, Liverpool, UK, 1988
.
Duthy, Robin. “Investor’s File: The Fortunes of Rothko.”
Connoisseur
215, no. 886 (November 1985)
: 174
.
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