Rothko Catalogue Raisonné : Browse References

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Paloma Alarcó
Jean-Christophe Ammann
David Anfam
Kelly Baum
Susan Behrends Frank
Mary Birmingham
Ellen Breitman
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Vincent J. Bruno
John Caldwell
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Morgan Falconer
Susan C. Faxon
Briony Fer
Ruth Fine
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Andreas Hapkemeyer
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Karin Koschkar
Ingrid Koszinowski
Gwendolin Kremer
Christiane Lange
James Lawrence
Helmut Leder
Carol Mancusi-Ungaro
Suzanne Folds McCullagh
Lisa Mintz Messinger
Jane M. Murphy
Eleanor Nairne
Mordechai Omer
Benjamin Paul
Meira Perry-Lehmann
Francesca Pola
Claudia Puizza
Eliza E. Rathbone
Robert Rosenblum
Christopher Rothko
Irving Sandler
Joseph J. Schildkraut
Paul Schimmel
Katharina Christa Schüppel
Jasper Sharp
Jens Stenger
Jessica Stewart
Kalus Stichweh
Claudia Terenzi
Riccardo Venturi
Judith Walsh
Jeffrey Weiss
Stefan Weppelmann
Oliver Wick
Annie Wilker
Clair Zamoiski
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105 References

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Acton, David. Rothko entry. In The Stamp of Impulse: Abstract Expressionist Prints, edited by David Acton. Worcester Art Museum, Worcester, MA, 2001: 50.

Alarcó, Paloma. “Monet et l’abstraction / Monet and Abstraction.” In Monet et l’abstraction / Monet and Abstraction, by Paloma Alarcó and Jaques Taddei. Musée Marmottan Monet, Paris, 2010: 8-87.

Alarcó, Paloma. “Monet and Abstraction.” In Monet y la abstracción, by Paloma Alarcó and Michael Leja. Museo Thyssen-Bornemisza, Madrid, 2010: 317–328.

Ammann, Jean-Christophe. “A Fictional Museum for A Fabulous Collection.” In A Selection from the Daros Collection, edited by Walter Soppelsa. Zurich, Switzerland, 2012: 9–14.

Anfam, David. “A World Elsewhere,” in Abstract Expressionism — A World Elsewhere. Haunch of Venison, New York, 2008: 10–23.

Anfam, David. "An Unending Equation." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 14–49.

Anfam, David. “Dark Illumination: The Context of the Rothko Chapel.” In Mark Rothko: The Chapel Commission, by David Anfam and Carol Mancusi-Ungaro. The Menil Collection, Houston, TX, 1996: 6–15.

Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s, by Jill Snyder. Katonah Museum of Art, Katonah, NY, 1994: 24–31.

Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 76–86.

Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In Mark Rothko, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995: 12–21.

Anfam, David. “The World in a Frame.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 45–57.

Anfam, David. “Walls of the Mind.” In Mark Rothko and William Scott: Continuing the Dialogue by David Anfam and Danielle Gaudry Cazeau. Anita Rogers Gallery, New York, 2023: 11–17.

Baum, Kelly. “Mark, Maker, Method.” In Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell, edited by Kelly Baum. Princeton University Art Museum, Princeton, NJ, 2014: 10–28.

Birmingham, Mary. Rothko entry. In Montclair Art Museum: Selected Works, by Mary Birmingham, Twig Johnson, Diane P. Fischer, and Gail Stavitsky. Montclair, NJ, 2002: 143.

Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In Mark Rothko Retrospektive, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008: 180–185.

Breitman, Ellen. Rothko entry. In The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986: 168.

Brüderlin, Markus, ed. “The Avant-Garde of Deceleration: Motion and Rest in Modern Art, from Goethe and Caspar David Fredrich to Ai Wei Wei.” In The Art of Deceleration: Motion and Rest in Art from Caspar David Friedrich to Ai Weiwei, edited by Markus Brüderlin. Kunstmuseum Wolfsburg, Wolfsburg, Germany, 2011.

Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988), edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993: 235–255.

Caldwell, John. Rothko entry. In American Drawings and Watercolors in the Museum of Art, Carnegie Institute, edited by Henry Adams. Carnegie Institute, Pittsburgh, PA, 1985.

Coelho, Eduardo Prado. “Situations of the Infinite.” In Utopia Pavilion: 1998 Lisbon World Exposition. Lisbon, 1998: 77–90.

Cohen DePietro, Anne. “The Art of Betty Parsons: Carpenters’ Throwaways and the Expanding World.” In Shaping a Generation: The Art and Artists of Betty Parsons, edited by Anne Cohen DePietro. Heckscher Museum of Art, Huntington, NY, 1999.

Collins, Bradford R. “Beyond Pessimism: Rothko’s Nietzschean Quest, 1940–1949.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 47–59.

Compton, Michael. “Introduction into the Seagram Mural Project.” In Mark Rothko: Kaaba in New York, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989: 9–21.

Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In Late Thoughts: Reflections on Artists and Composers at Work, edited by Karen Painter and Thomas Crow. Los Angeles, CA, 2006: 55–61.

Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In Abstract Expressionism, edited by David Anfam. Royal Academy of Arts, London, 2016: 86–103.

de Brosses, Cordélia. “The Rothko Chapel: Painting the Night.” In Pagé, Suzanne, and Christopher Rothko, eds. Mark Rothko. Fondation Louis Vuitton, Paris, 2023: 285–295.

Falconer, Morgan. “Things Must be Pulverized: Abstract Expressionism.” In Painting Beyond Pollock, by Morgan Falconer. London, 2015: 10–45.

Faxon, Susan C. Rothko entry. In On Paper: Masterworks from the Addison Collection. Addison Gallery of American Art, Phillips Academy, Andover, MA, 2004: 208–209.

Fer, Briony. “Rothko and Repetition.” In Seeing Rothko, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005: 159–175.

Fer, Briony. “Seeing in the Dark.” In Rothko: The Late Series, edited by Achim Borchardt-Hume. Tate Modern, London, 2008: 31–43.

Fine, Ruth. “Mark Rothko.” In El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005: 60–78.

Fine, Ruth. “Mark Rothko.” In The Art of Mark Rothko: Selections from the National Gallery of Art, Washington, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006: 23–31.

Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In Mark Rothko: The Decisive Decade, 1940–1950, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012: 102–119.

Frank, Susan Behrends. “Amerikas Weg in die Moderne. Duncan Phillips und die Phillips Collection.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017.

Frank, Susan Behrends and Miriam Häßler. “Farbe und Raum. Malerei in den sechziger Jahren.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017.

Frank, Susan Behrends. “Künstlerbiographien.” In Von Hopper bis Rothko: Amerikas Weg in die Moderne, edited by Ortrud Westheider and Michael Philipp. Museum Barberini, Potsdam, Germany, 2017.

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National Gallery of Art

Mark Rothko: Works on Paper will ultimately document approximately 2,600 works from public and private collections worldwide. Cataloging is ongoing, and works and information will be added to the site during the coming years.

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105 References

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