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58 References
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Anfam, David. “Notes on the Art of Marcus Rothkowitz: Between Time Past and Future.” In
Against the Stream: Milton Avery, Adolph Gottlieb, and Mark Rothko in the 1930s
, by Jill Snyder.
Katonah Museum of Art, Katonah, NY, 1994
: 24–31
.
Anfam, David. “Rothko in the 1940s: Of Time and Tide.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 76–86
.
Anfam, David. “The Art of Mark Rothko: Simplifying the Complex Thought.” In
Mark Rothko
, by David Anfam et al. Tokyo Shimbun, Tokyo, 1995
: 12–21
.
Anfam, David. “The World in a Frame.” In
Rothko: The Late Series,
edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 45–57
.
Boehm, Gottfried. “Das Lebendige: Rothkos Zugänge zum Bild.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 180–193
.
Breitman, Ellen. Rothko entry. In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper 1938-1948
. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 168
.
Bruno, Vincent J. “Mark Rothko and the Second Style: The Art of the Color-Field in Roman Murals.” In
Eius Virtutis Studiosi: Classical and Postclassical Studies in Memory of Frank Edward Brown (1908–1988)
, edited by Russell T. Scott and Ann Reynolds Scott. Studies in the History of Art [National Gallery of Art], vol. 43. Washington, 1993
: 235–255
.
Compton, Michael. “Introduction into the Seagram Mural Project.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 9–21
.
Crow, Thomas. “Unknowing Parallels: The Last Artistic Thoughts of Mark Rothko and Eva Hesse.” In
Late Thoughts: Reflections on Artists and Composers at Work
, edited by Karen Painter and Thomas Crow. Getty Research Institute, Los Angeles, CA, 2006
: 55–61
.
Davidson, Susan. "Feminism for the Most Masculine: How Two Women Launched an Art Market." In
Abstract Expressionism
, edited by David Anfam. Royal Academy of Arts, London, 2016
: 86–103
.
Fer, Briony. “Rothko and Repetition.” In
Seeing Rothko,
edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 159–175
.
Fer, Briony. “Seeing in the Dark.” In
Rothko: The Late Series
, edited by Achim Borchardt-Hume. Tate Modern, London, 2008
: 31–43
.
Fine, Ruth. “Mark Rothko.” In
El arte de Mark Rothko: Selección de la Galería Nacional de Arte de Washington
, by Ruth Fine and Teresa Arcq. Museo de arte moderno, Mexico City, 2005
: 60–78
.
Fine, Ruth. “Mark Rothko.” In
The Art of Mark Rothko: Selections from the National Gallery of Art, Washington
, by Ruth Fine et al. Leeum, Samsung Museum of Art, Seoul, 2006
: 23–31
.
Fine, Ruth. “Meaning in Touch: Rothko on Paper.” In
Mark Rothko: The Decisive Decade, 1940–1950
, edited by Bradford R. Collins. Columbia Museum of Art, Columbia, SC, 2012
: 102–119
.
Gassner, Hubertus. “‘Das Entsetzen oder die Hoffnung’: Mark Rothko sieht Pierre Bonnard.” In
Mark Rothko Retrospektive
, by Hubertus Gassner et al. Kunsthalle der Hypo-Kulturstiftung, Munich, Germany, and Hamburger Kunsthalle, Hamburg, Germany, 2008
: 166–178
.
Harrison, Charles. “Scenes and Details: A Rothko Sketchbook from the Late 1930s.” In
Seeing Rothko
, edited by Glenn Phillips and Thomas Crow. Los Angeles, CA, 2005
: 179–199
.
Hashimoto, Azusa. Rothko entry. In
The 30th Anniversary: Collection of the National Museum of Art
, edited by Atsuhiko Shima, Masahiro Yasugi, and Yuko Fujiyoshi. The National Museum of Art, Osaka, Japan, 2007
.
Hayashi, Sumi. “Creation of an Intimate Place: Three Series of Murals.” In
Mark Rothko
, by David Anfam et al.
Tokyo Shimbun, Tokyo, 1995
: 44–57
.
Hunter, Sam. “Surrealism in Transition: Paris and New York.” In
The Surrealist Vision: Europe and the Americas
, by Nancy Hall-Duncan and Sam Hunter. Bruce Museum of Arts and Science, Greenwich, CT, 1998
: 35–60
.
Kaiser, Franz-W. “Biografie.” In
Mark Rothko: Uit de collectie van de National Gallery of Art, Washington
, by Franz-W. Kaiser et al. Gemeentemuseum Den Haag, The Hague, Netherlands, 2014
: 9–33
.
Kellein, Thomas. “Mark Rothko–Kaaba In New York.” In
Mark Rothko: Kaaba in New York
, edited by Thomas Kellein. Kunsthalle Basel, Basel, Switzerland, 1989
: 31–47
.
Lawrence, James. “The Watercolors 1941–1947.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 28–37
.
M. Messinger, Lisa. Rothko entry. In
Recent Acquisitions: A Selection, 1985-1986
, by The Metropolitan Museum of Art. New York, 1986
.
Mancusi-Ungaro, Carol. “Nuances of Surface in the Rothko Chapel Paintings.” In
Mark Rothko: The Chapel Commission
, by David Anfam and Carol Mancusi-Ungaro. Menil Collection, Houston, TX, 1996
.
Omer, Mordechai. “Cycles of Faith: Rothko, Kierkegaard, and the Sacrifice of Isaac.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 67–89
.
Paul, Benjamin. Rothko entry. In
Modern Art at Harvard
, by Nihon Keizai Shimbun, Inc. Tokyo, 1999
: 231-232
.
Perry-Lehmann, Meira. Rothko entry. In
On Paper, In Paper, With Paper: 100 Twentieth-Century Works from the Collection of the Israel Museum
, Jerusalem, edited by Meira Perry-Lehmann. The Israel Museum, Jerusalem, Israel, 1990
.
Pola, Francesca. Rothko entry. In
Peggy Guggenheim e la Nuova Pittura Americana
, by Luca Massimo Barbero. Arca, Chiesa di San Marco, Vercelli, 2008
: 156-158
.
Rathbone, Eliza E. “Mark Rothko: The Brown and Gray Paintings.” In
American Art at Mid-Century: The Subjects of the Artist
, by E.A. Carmean, Jr. et al. National Gallery of Art, Washington, 1978
: 242–269
.
Rosenblum, Robert. “The Surrealist Years.” In
Mark Rothko: The Exhibitions at Pace
by Arnold Glimcher. Pace Gallery, New York, 2019
: 21–27
.
Rothko, Christopher. “Introduction.” In
The Artist’s Reality: Philosophies of Art
, by Mark Rothko. New Haven, CT, 2004
: xi–xxxi
.
Rothko, Christopher. “Introduzione.” In
L’Artista e la sua realtà: Filosofie de l’arte
. Translated by Riccardo Venturi. Milan, 2007
: 11–38
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Coming to Light: Avery, Gottlieb, Rothko: Provincetown Summers, 1957–1961
, edited by E. A. Carmean, Jr. Knoedler & Company, New York, 2002
: 18–19
.
Rothko, Christopher. “Mark Rothko and the Quiet Dominance of Form.” In
Mark Rothko
, edited by Mordechai Omer and Christopher Rothko. Tel Aviv Museum of Art, Tel Aviv, Israel, 2007
: 11–27
.
Schimmel, Paul. “Images of Metamorphosis.” In
The Interpretive Link: Abstract Surrealism into Abstract Expressionism, Works on Paper, 1938–1948
, by Paul Schimmel and Lawrence Alloway. Newport Harbor Art Museum, Newport Beach, CA, 1986
: 17–28
.
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